Category Archives: Questlove

Prince Summer In Full Swing: ’20Ten’ turns 6!

20ten

20Ten is one of my favorite Prince albums of the new millennium before his 2014 comeback on Warner Brothers. Questlove wrote an article in Wax Poetics magazine five years ago about the 33 reasons why Prince was hip-hop. The 20Ten album provided a possible 34th reason-that being most contemporary hip-hop/R&B music with it’s stripped down drum machine/synthesizer sound is based on the same early/mid 80’s Minneapolis sound that Prince pioneered,and then returned to with this album. This is also one of very very few times I saw Prince return to the musical sound that made him so famous.

This was a difficult album for me to find. It was released shortly after Prince received a Lifetime Achievement Aware at the 2010 BET Awards. But in the UK only. And even for that as a covermount CD on British magazines like the Daily Mirror. My local record store Bullmoose would’ve had to ordered the magazines themselves to even sell copies of this. And that seems that they did because I managed to pick it up. After jamming to the first album a couple of times during that first week of having it,I went over to Amazon.com and had the following to say about it:


On his previous release Mplsound Prince was making it abundantly clear that he was reaching towards his classic one-man-band Minneapolis sound as a means of progressing into the future. This is actually a move he made on a number of occasions when his music and career seemed in question. Well right now his career isn’t in that state at all. He’s musically revered by many in this generation and was recently given a tribute on the BET Music Awards this past year. Prince himself also seems to obsessed with some strange form of eternal youth in which his music doesn’t age but his lyrical themes mature.

You will not find any explicit lyrics on this album for sure,same as you won’t find them on any of his albums since 2001. That doesn’t mean that effects the music at all because these are the most energized,lively,funky and musically sophisticated songs Prince has done in the new millennium. The album opens and ends on the same basic musical note with “Compassion” and “Everybody Loves Me” embracing the shuffling LINN drum led rockabilly styled funk with lyrics that alternately speak of both selflessness and selfishness. “Beginning Endlessly”,the amazing “Sticky Like Glue” and “Lavaux” all embrace the classic Prince all encompassing funk groove with some delicious synthesizer squiggles and layered drum and percussion tracks.

He hasn’t lost his touch as a multi instrumentalist in the least bit and actually has expanded on it to include light rhythmic nods to both hip-hop/R&B and contemporary 80’s dance revival (itself based on his own original music) without shamelessly surrendering to either style and still being himself. Songs like “Future Love Song”,”Walk In The Sand” and “Sea Of Everything” also embrace Prince’s touch with the slow jam to it’s absolute best effect. Typical of Prince he makes you flip through 75 separate 2-4 second empty tracks before we get to cut 77,which is the title song offered as a very hidden bonus selection. This is very much a TAFKAP era sounding funk/rap styled number but still his one-man-band style is very much in attendence. After all these years Prince obviously has no intent on being a fossil. He wants to keep being himself and now that he’s in his 50’s he also refuses to musically look down on those younger than them and also embraces many of their ideas into his own.


The summer season is already a few weeks in as I’m writing this. But wanted to officially inaugurate this as Prince Summer here on Andresmusictalk. It’s been underway for a few months now already. But there will continue to be a consistent emphasis on Prince’s own music here for a long time to come-as well as a continuing emphasis on the enormous influence of the many forms of the Minneapolis sound. Even if Prince himself didn’t always realize it,he is likely the last artist to really innovate musically in the funk/soul genre. And the album 20Ten is more than solid proof of this.

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Filed under 2010's, Amazon.com, funk albums, Hip-Hop, Linn Drum, Minneapolis, Minneapolis Sound, Music Reviewing, Prince, Questlove, synth brass, synthesizers, UK, Uncategorized, Wax Poetics magazine

Anatomy of THE Groove: “Spanish Joint” by D’Angelo

D’Angelo has already expertly been covered on this blog by Henrique Hopkins,with his articles on the songs “Chicken Grease” and “1000 Deaths”. There’s always been something about the music of the Virginia man born Michael Eugene Archer. Probably started over 20 years ago when the man’s debut Brown Sugar playing on the family car cassette deck on many a road trip. At first it was hard for me to fully understand D’Angelo’s musical appeal. The grand musical statements of Stevie Wonder and the Jackson’s were saying a lot more to me personally at that time. A year later I began to discover Prince. And D’Angelo’s approach became somewhat more clear to me.

Despite the press and the local airplay from Nigel Hall as a college radio DJ in my area,even D’Angelo’s sophomore album Voodoo didn’t light the spark of interest. It was after listening to the Roots and experiencing Questlove’s production for people like Al Green that the music of multi instrumentalist D’Angelo and his band the Soulquarians gained a new understanding within me. So I endeavored to go back and re-discover the Voodoo album. With hip-hop era jazz musicians such as bassist Charlie Hunter and trumpeter Roy Hargrove aboard for the affair,there was one groove on the album that leaped out at me in particular right about at the dead center of the album called “Spanish Joint”.

Afro Caribbean conga’s from Gionvanni Midalgo introduce the song. The man rhythm is a steady,fast paced Brazilian jazz/funk beat. Hunter’s rhythm guitar and bass line both do their nimble dance over the drums and percussion. On the choruses,Hargrove’s deep choral trumpet’s take on another life along with the more swinging cymbal/hi hat rhythms and D’Angelo’s call and response multi tracked harmony vocals. A brief bridge finds the instrumentation slowing to a complete halt and silence. After this the song swings on into a straight up Afro-Cuban jazz/funk groove with some counter melodies from D’Angelo on the Fender Rhodes until the song comes to a swinging,jazzy conclusion.

The thing that really excited me about this song is that it took neo soul’s naturalistic instrumental approach,then added to that the expansive harmonics of jazz and funk. Although D’Angelo and Questlove could’ve theoretically carried this song along as a purely rhythm section based song  Midalgo’s percussion touches,Hargrove’s trumpet charts and Hunter’s bass/guitar riffs greatly broaden the songs instrumental dynamics. People who love both neo soul and 70’s Brazilian jazz/funk could both easily listen to and dance off this song with the same level of enthusiasm. Aside from the strength of the song itself, that quality of bringing two generations of the groove together was a major feat.

 

 

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Filed under 2000, Afro-Cuban rhythm, Brazilian Jazz, Charlie Hunter, D'Angelo, drums, Fender Rhodes, Funk Bass, funk guitar, Giovanni Midalgo, Neo Soul, Questlove, Roy Hargrove, Soulquarians, trumpet, Uncategorized, vocal harmonies

Funky Firsts: Andre’s Look Back On Key Moments Of Putting The Grooves On His Record Racks

Reading the autobiography of Amir Questlove Thompson entitled Mo Meta Blues has been very inspirational to the way in which I present my blog. Especially in the fact the book presents interstitial chapters between the main ones. These shorter chapters illustrate classic funk and soul albums Questlove heard growing up. As well as how they intertwined with different events in his personal life. This has long had me brainstorming about a similar concept as to how this music has been involved with my own life story.

There’s no particular rhythm or reason here. This isn’t a list of all of my first exposures to specific artists. Nor is it just musical events that personally impacted me. It includes both,yet what I’m focusing on here is all about the synergy of life and this particular art form and how it effected my outlook on music. All the way up to this blog here. There’s going to be a mixture of different stories and emotions here. And of course some important things might not get covered-possibly to be done as they come back to mind on another,similar post. But for now? Enjoy these stories!

First Album I Purchased On Cassette Tape

Music Of My Mind

I’d been listening to Stevie Wonder for many years before this. But I was deep into a literary research through the All Music Guide and read a description of this album as being Wonder’s first artistic breakthrough but that compared to what came after quote on quote “it paled just slightly”. Often times writing can cloud a music’s listener’s judgement on the auditory musical experience. At the time however? That’s exactly how I felt about this album. Musically my tastes and understanding had to grow into this album,rather than the album accommodate me.

First Album I Purchased On CD

The Jacksons

Actually this is by no means the first CD I ever owned. But it was the first one I purchased with my own money. 1994-1995 was ‘the year of the Jackson’s’ as it were for my life. The story of how the brothers signed to Epic Records to gain creative control was really fascinating me,something I was feeling inwardly as an artistic adolescent. So one day I was browsing the old Strawberries Records with my friend Joseph Stone and came across this album for $9.99. That’s just what I had in my wallet. For the next few weeks? Felt like “Think Happy”,”Show You The Way To Go”,”Enjoy Yourself”,”Living Together” and “Style Of Life” were the only songs I wanted to hear. And all were (and still are) very positively effecting on my day to day life.

First New Music I Purchased Through A Record Club

Isley Brothers Mission To Please

Turns out in writing this? I discovered several important musical firsts for me in the year 1996. While an active member of the BMG Record Club? They offered a featured selection that,if purchased at full price,would allow you to get a number of free CD’s.  This was one of them. I was reading a lot about the Isley Brother’s in Rickey Vincent’s book Funk at the time. And his description of the Isley’s as “the epitome of funky manhood” made this an easy choice. At the time? I was not keen on contemporary R&B at all. But something about the vibe R.Kelly created for this album is still appealing to me.

First Album Recommended To Me

Travelling Without Moving

Technically it was my mother who ended up purchasing this album. But I remember she and I had taken a rather long bike ride to Strawberries. And ran into a friendly young sales associate named Jeb. We got into a conversation about P-Funk and George Clinton. He mentioned in the conversation that a new band who were in a similar funk vein were Jamiroquai. And this was their newest album out. At the time I didn’t see how this had any resemblance to P-Funk at all. Of course I had yet to hear The Electric Spanking Of War Babies. Still as a channeling of psychedelia with the live instrumental boogie funk sound began a continuing interest in newly recorded funk music.

First Multi Album Set I Ever Had

Emancipation

1996-1997 was when I was seeking out any and all things Prince related. From his own music to his famous (and infamous) protegee’s. Seeing Prince and than wife Mayte on Oprah performing songs from this album,talking about his art and life,went right along with the appeal of this album. It is such a sprawling 3 CD set that,to this very day,I have yet to have heard the entire album. Something that I intend to change in the very near future.

First Piece Of Used Vinyl I Remember Purchasing

Earth, Wind & Fire - Faces

When Dr. Records was still in it’s original basement location in the college town of Orono,Maine? I remember having $5 dollars in my pocket and seeing this album on vinyl-yet again at just the right price. Had been collecting EWF’s 70’s classic on cassette tape already and was at this point upgrading to CD’s. This one was a bit expensive for me at the time. But the vinyl of this album was a different story. On the way home from the store? I remember feeling the raised gold letters of the bands name on the cover,and staring at the random photographs of people on the inner sleeve-not to mention the members of the band members and the Phenix Horns,which were proudly stated on the vinyl sleeves. The happiest surprise was to get home to find the album also contained the original poster of the band in full EWF regalia. Still have the poster,later picked up the CD but none of it eclipses the excitement of that 15 minute car ride home from picking this up as a vinyl album. Almost a brief history in how a classic funk band presents itself.

First CD I Purchased After The New Millennia

Alicia Keys

After the arrival of the year 2000,in those 500 or so days between then and 9/11? I kept feeling like the world of futurism was just about ready to happen. Flying electric cars,sustainable ergonomic homes,all of it. Another exciting event during the winter and spring of 2001 was seeing the face of this 19 year old singer/songwriter/musician from NYC who was about to break out almost exactly the same manner as Whitney Houston had, with Clive Davis and the whole deal. In all honesty? The albums contents were so far removed from my musical journey at that time,it didn’t quite live up it’s hype for me. In a lot of ways it still doesn’t.  But it succeeded in whetting my musical appetite for a promising new and popular musician. Something that was extremely rare in an era saturated with performers.

First CD I Purchased Online

Imagination Body Talk

Even at the time,the years 2002-2003 were weary and sad times with the dashed hopes of the immediate post 9/11 era. Interestingly enough,this was a time when I began exploring psychedelic 60’s classic rock and fusion more as well. The roots of this discovery was when I heard the song “Flashback” on a compilation belonging to my families late friend Janie Galvin called Pure Disco. It was by a British trio called Imagination. Loved the songs stripped down electronic groove. But it was when I’d just gotten online for the first time at the local public library computer.  Discovered that this album was kind of famous in post disco circles. My quest to order a CD copy led me to sign up for my first checking account so I could get a used copy off of Amazon. Body Talk turned out to be an excellent album. And was also the beginning of the end of my days as a member of the already fading mail order record clubs.

Biggest Surprise I Discovered In A Used Vinyl Record Store

Ghetto Blaster

It was on a ride home with my father after purchasing our first Toyota that I first heard the Crusaders. It was actually my first exposure to a complete jazz-funk band. One day I was crate digging at a now defunct record shop in Camden Maine called Wild Rufus. And there was this album for a dollar. On the back,it had a photo of Leon Ndugu Chancler with the band rather than Stix Hooper. Was deep into Ndugu at the time with my involvement with DJ/musician Nigel Hall,and our mutual interest in 70’s George Duke. So that actually peaked my interest as well. I had no idea the Crusaders were making records in the mid 80’s. So hearing them with a more synthesizer driven electro funk style was a very happy surprise for me,and probably my turntable as well.

First CD I Reviewed Online

Parliament (1978) - Motor Booty Affair (A)

For reasons that I don’t fully understand? Amazon.com forced me to create a totally new account with them when I couldn’t remember the password to my first one. So the reviews on that first profile are still floating around out there. So this is only my first Amazon review on this new account,the one I continue to use up to this very day. I remember posting the review on December 3rd,2004. That was also around the same time my family got it’s first PC,a Toshiba laptop to be specific. So this was also my first time dealing with that computers joint Windows account system

Link to original Motor Booty Affair review here*

First Time Hearing Questlove As A Producer

Al Green Lay It Down

Now the main reason I’m talking about this is because Questlove’s writing directly inspired this blog post. Prior to 2008? I knew of Amir not by name,or nickname. Only as the guy with the pick in his fro who drummed for The Roots. And I felt a lot of their music was rather bland for my personal tastes at the time. When my friend Henrique told me this man,named Questlove,was producing a comeback album for Al Green? I was skeptical. What I didn’t know was that Questlove was a session drummer at heart. And rather then make his own record here? He produced a total Al Green record-directly in the Willie Mitchell mold.  This significantly broadened my admiration and respect for Questlove. And for that matter other hip-hop live instrumentalists/producers who could tailor make records for iconic artists they respected and admired.

First Funny Music Buying Twist Of Fate

Rufus Stompin At The Savvoy

This could be a very long story. But it still makes me laugh at the absurdity of it all so will endeavor to condense it. 18 or so years ago when I was first getting into Rufus & Chaka Khan? I kept noticing this double CD on sale at Borders Books & Music in Bangor. With it’s $30 dollar price tag? I never gave it any thought,knowing only it was essentially a live album from the early 80’s. While that store always shuffled stock? This CD remained there at this same price into the new millennium. Finally in 2011 Borders closed down shop nationally. And all their stock,including CD’s,went on drastic mark down. I went there and bought a lot. Even saw other double CD sets marked down to $15 or less. Sure enough? Still this particular album seemed like the only one that never went on sale even at the bitter end.

Flash forward to about five years later. I’d noticed that this album was commanding prices well upwards in the double digits on Amazon and ebay.  And used no less. So one day a month or so ago while checking the website of my local record store Bullmoose? I noticed one of the stores had a used copy of this CD for under $10. So I picked it up. And as of today it’s one of my very favorite Rufus albums-with powerful live performances and great funk and jazz based studio tracks. So for an album that for almost two decades an album whose pretense in my life seemed to engender either reluctance or regret? A very happy musical experience came out of it in the end.

 


You might notice that the firsts indicated in this blog come primarily out of one spectrum of music. This wasn’t deliberate exactly. During my time online? I noticed many nostalgia based Top 10,20,50 music lists. With all kinds of subtexts. Still most people’s important experiences with music came from awkward moments with their peer group in terms of context. And the music that tends to be part of their journey is invariably punk or alternative rock of some variety. Occasionally even soul,jazz and blues too. And there’s absolutely nothing to be condemned about that. Any way that brings one to the joy of music has great meaning.

This blog actually extends into the very root of this blog. One can browse for info on the funk genre  and it’s offshoot musical children (such as disco and fusion) online. And they will album reviews,songs posted,downloads and a good deal of nostalgic comedy. But both Henrique and myself observed a void. One where there was litttle to no serious,well rounded online journalism on funk to the degree writers such as Rickey Vincent had done in the literary world. My aim with posts such as this is to help give the funk music spectrum the level of analyzation  and respect rock and jazz have received on the internet. And hopefully these personal stories will do so in an enlightening and amusing manner!

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Filed under 1980's, 1990s, 2008, 2015, Al Green, Alicia Keys, Amazon.com, Chaka Khan, classic funk, crate digging, Crusaders, Disco, Earth Wind & Fire, Funk, Fusion, George Clinton, George Duke, Imagination, Isley Brothers, Jamiroquai, Joe Sample, Late 70's Funk, Music Reviewing, Neo Soul, Nigel Hall, Prince, Psychedelia, psychedelic soul, Questlove, R.Kelly, The Roots