It would seem that 1973 bought a lot of changes into the Family Stone. Sly Stone had pretty much recorded There’s a Riot Going On by himself in a state of paranoid isolation. Band members were dubbed in as needed,with some such as Larry Graham and Greg Errico barely utilized-if even at all. This combined with Sly missing gigs during this era,to the point of it being blamed for starting a riot in Chicago in 1970 meant that some serious changes were needed within the band,if it was going to endure. In 1972 Larry Graham left the Family Stone to form Graham Centeral Station,with drummer Errico leaving during the same period.
During this time Sly himself began revamping the band. He bought in Rusty Allen to play bass during the time Graham was leaving and Andy Newmark as a drummer to succeed Errico. A vocal trio called Little Sister,including future Mrs. Leon Russel in Mary McCreary also came into the mix. Sly recorded with somewhat more involvement from the band for the album that would become 1973’s Fresh. Being a musical perfectionist, Sly insisting on remixing these songs even after the album came out. While this resulted in the original US CD release of it containing some of these alternate takes,the album began with a very defining groove for 70’s era Sly entitled “In Time”.
Sly begins the song with Newmark playing a very idiosyncratic march that intertwines with his own Maestro Rhythm King,an organ based drum machine,to play an Afro Latin percussive rhythm. Freddie plays a very probing melodic guitar with Sly’s organ providing a melodic pillow in the back round. Sly’s two note bass line seems to be present on this part. On the choruses,the drumming gets seriously on the one along with the horns and Allen’s more flamboyant bass parts. And the horns also play their usual call and response role on each rhythm. On the two instrumental refrains,Jerry Martini’s sax solos accompany Sly’s organ before the song closes on it’s own repeated choruses.
What this song does is serve the best possible purposes an opening tune can on an album. It sets the state for the sound for what is to come in that regard. Fresh is an album that blends a stripped down production with a slick sound and a full instrumental approach. And this song can best be described that way. The funk on this song,especially with it’s heavy rhythmic breaks and Sly’s drawling vocals,is more fully formed than it was on the previous album. The sound of the Maestro Rhythm King on early 70’s Sly records would also find it’s way onto Shuggie Otis’s work from the same period. So again,Sly was on the cutting edge of blending innovative instrumentation with strong rhythmic funkiness.