Category Archives: Sam Gooden

Anatomy of THE Original Super Heavy Funk for 4/27/2015: “Mighty Mighty (Spade And Whitey)” by The Impressions

One of the important things I’ve learned about Curtis Mayfield over the years is the extent of which his social consciousness evolved. This was also an important factor in America’s silent generation as a whole-extending across the nations color and economic lines. Starting out as mainly the composer/guitarist for The Impressions,Curtis soon became the bands lead singer as well. He became something of a windy city whiz kid-writing and producing for other acts as well. This not only changed the entire trajectory of his musical career. But re-focused the thematic priorities of himself,Sam Gooden and Fred Cash as well.

Throughout the 1960’s,this Chicago powerhouse vocal trio continually churned out songs such as “Keep On Pushing”,”Amen” and of course “People Get Ready”-all anthems of the civil rights movement and released between the march on Washington and the murder of Malcolm X. With later songs such as “We’re A Winner”? It was clear the confidence of the civil rights movement was evolving into the black power movement-for America and The Impressions. In 1969,following the murders of Martin Luther King Jr and Bobby Kennedy a year before? Donny Hathaway co-produced the bands 1969 album The Young Mod’s Forgotten Story,which included another powerful song in “Mighty Mighty (Spade And Whitey)”.

First thing heard on this song is an enthusiastic,youthful applause before a thundering drum roll inaugurates the calling outcry of the Memphis soul style  horn section that does a call and response dance with Curtis’s gurgling wah wah guitar. Throughout the main body of the song? The rolling beat is accented by a JB style mid pitched rhythm guitar. Before the horn sections emerge again,there’s a brief low blues guitar as well. On the chorus of the song,a sustained gospel style organ comes in to keep pushing the main melody of the song forward. Towards the end of the song,before the chorus closes out the song,the vocals of The Impressions completely recede while Curtis does a full Albert King style amplified blues solo.

In all honesty? Today is the first day that I’ve ever actually heard this song. Sometimes however? A first impression (pun more intended than I was hoping it to be) can say a thousand words. On two very important levels? This song speaks to two viewpoints of the cultural changes in race relations at that time. Musically the song is just about at the perfect intersection between the contemporary funk explosions of James Brown and the Chicago style urban blues that was coming out of the Chess label only a decade earlier. Lyrically it’s a similar situation. On one hand Curtis is very earnest in schooling the young that the power structure of America will be weakened as “we’re killing up our leaders” and “we all know it’s wrong”. By the end of the song he muses “if your cut you’re gonna bleed/might I get a little deeper/human life is from the semen seed”. This song musically and lyrically speaks so deeply into the primal nature of racial violence? It deserves to be understood in 2015 as much as in the late 60’s.

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Filed under 1960's, black power, Blues, Bobby Kennedy, Chess Records, Chicago, civil rights, Curtis Mayfield, Fred Cash, Funk, funk guitar, horns, James Brown, Malcolm X, Martin Luther King Jr., Sam Gooden, The Impressions, wah wah