It was through his collaboration with Phonte on the latest album by The Foreign Exchange that got me interested in the music of Matthjis “Nicolay” Rook. Now this is a Dutch native who has been creating both solo albums and different collaborations within the funkiest side of the electronica/hip-hop/soul spectrum of music. His emphasis on live musicianship with his acumen as a multi instrumentalist is a big part of his artistic appeal for me personally.
Over the past decade,Nicolay has released a series of solo records in his City Lights series. Generally weaving them directly in between his released as a member of The Foreign Exchange. I’ve never had one of these albums. Yet the newest volume of this was subtitled ‘Soweto’-as a tribute to the South African township of the same name. And through online streaming? It was it’s opening song “Tomorrow” which caught my ear the most.
Beginning and ending with the voice of what is perhaps Bantu language conversation in the back-round? The song begins with a round bass synthesizer chord-accompanied by breezy orchestral electronics. Suddenly a burst of intense percussion kicks in for the main rhythm of the song-with congas,high hat and other Afro-Latin percussive sounds. On the bridge of the song a high pitch,and still round toned series of synthesizers play a horn like jazzy riff before gearing down into a higher pitched synth scaling up and down. All before the song ends with a light Ebonic vocalese.
One of the things I enjoy about this song is some of the same quality I heard on “If I Knew Then” from The Foreign Exchange. This song is of course far faster and electronic in straight up instrumental tone. That being said? Nicolay borrows a lot of his technique from early/mid 80’s Prince. In the sense that he is a master programmer and creator of live rhythmic and warmer,brittle bass lines with electronic drums and keyboards. It also helps greatly that he’s also an electric bassist and guitarist as well. He therefore understands the importance of a fat,rhythmic groove. Whether or not it’s produced organically. Along with it’s similarity to 1980’s Miles Davis and Weather Report? This song brings out the link between funk and contemporary electronica very strongly.