Category Archives: Stephanie Andrews

STEVIEWONDERLAND!: Celebrating An Icon In Three Decades-“Sensuous Whisper” by Stevie Wonder (1996)

Stevie Wonder seemed to have suffered a little writers blocks following his (subjectively) wonderful 1987 album Characters. Aside from performing the soundtrack to the Spike Lee Joint Jungle Fever in 1991,it seemed as if Wonder would continue his infrequency of releases in the 90’s as he had in the 80’s. When President Jerry John Rawlings invited Wonder to spend his weeks in the African nation of Ghana,Wonder wrote 40 new songs. He also stated the artist formerly know as Prince “helped him to see music again” in the liner notes to the 1995 album that came out of Wonder’s African visit: Conversation Peace.

Personally I have a vivid memory of hearing a new reggae styled song by Stevie Wonder called “Take The Time Out” used during the 1994 Macy’s Thanksgiving Day Parade to encouraging people to give food to the needy. It was a comforting reminder of Wonder’s ever present humanitarianism.And his new album finally came out in January of the following year. Took me a year or so to really give it a good listen. And a decade or so more to begin singling out my personal favorites songs from the last Stevie Wonder album of the 20th century. One of the strongest for me is a song called “Sensuous Whisper”.

Wonder gets the song rolling with a hi hat heavy drum swing and a shuffling bass with an Arabic type tone. Then he kicks into a funky chromatic walkdown on piano. This consists of the basic body of the song. Stephanie Andrew’s sexually charged grunts provide a vital percussive element as the sax of Branford Marsalis and trumpet of Terrence Blanchard provide unison horn breaks on the vocal changes. Wonder swings and scats the lyrics on the refrain,while Anita Baker sings the song title chorus as the back-round with Wonder’s call and response vocal lead.

The bridge of the song features Wonder singing a harmonically complex set of notes that I personally couldn’t begin to describe-scaling up and down between each phrase. He backs himself up with the same instrumentation as the rest of the song that,along with the horn charts,improvise strongly on the chordal changes he’s making throughout. After this,the song returns to the drum/bass intro before seguing back into the chorus of the song. This chorus repeats itself over and over again-with Wonder scatting the vocals more and more until the song itself just comes to an abrupt stop.

Stevie Wonder was always someone my family and I recognized as having a strong jazz influence-from his 1963 instrumental debut album to his 1991 song “Make Sure Your Sure”. This song not only found him collaborating up front with jazzy players and jazz derived singers,but also embracing the funkified jazz/hip-hop hybrid that the Native Tongues groups like Tribe Called Quest and even Miles Davis himself had started to embrace. So Wonder was not only heavily embracing jazz here,but showcasing it’s possibilities for the newer hip-hop informed style of funky soul.

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Filed under 'Conversation Peace', 1990s, Anita Baker, bass guitar, Branford Marsalis, chromatic walkdown, drums, funky soul, hip-hop jazz, horns, piano, Saxophone, soul jazz, Stephanie Andrews, Stevie Wonder, synth bass, Terrence Blanchard, trumpet