Category Archives: The Spinners

Anatomy of THE Groove: “We’ll Have It Made” by The Spinners

The Spinners were a group who had two of the most distinctive lead singers in 70’s soul. During their years in Philly,their main lead singer was Phillipe Wynne-a master of powerful vocal idiosyncrasy. In their Motown years,their final lead singer of that era was George Curtis “G.C.” Cameron. He was a Vietnam vet who recorded a couple of solo albums for Motown after his years with the Spinners. In 2003,he became one of the lead singers of the Temptations. Today at age 71,Cameron has had a rich and varied career celebrating music on both a creative and political level in the state of New Jersey.

In 1970,The Spinners recorded their second and final Motown album entitled 2nd Time Around. Story goes that they were not creatively prioritized on the label. On the other hand,Stevie Wonder felt the opposite because he wrote two songs for the group which were featured on this album. The first was “Its A Shame”. This went on to become their biggest hit for Motown. And is probably the song most people associate with G.C. Cameron. The other song Wonder wrote didn’t perform as well commercially,but to me stands on equal level musically. The name of this song is “We’ll Have It Made”.

A deep honky tonk styled (though not honky tonk sounding) piano opens the song. The bass drum kicks into the main rhythm-which is a big percussive sound marked by epic hi hat hits. These are accented by screaming,melodic horn charts. These instrumental parts mark both the chorus and the refrain of the song-using different chord modulations for each segment. After the chorus,there are these jazzy bridges where Cameron goes into his smoothest low baritone. Towards the end of the song,all the musical elements come together for a huge chorus that closes out the song.

“We’ll Have It Made” is a song that instrumentally bridges a hot,heavy uptempo and a stomping country soul sound beautifully. Even more so,Stevie Wonder’s jazzy modulations give the song its complex character. Cameron sings each vocal part as different characters. On the refrains and choruses he’s a huge soul shouter. On the jazzier bridges, he’s a smooth and almost poppy crooner. The moment I heard this song,it made me think about what might’ve happened to the Spinners on Motown had Stevie Wonder worked more fully with them. This and “Its A Shame” still stand as shining moments of this collaboration.

 

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Filed under 1970's, country/soul, drums, G.C. Cameron, honky tonk piano, horns, Motown, Motown Sound, piano, soul jazz, Stevie Wonder, The Spinners

Grooves On Wax: Funk On The 4th Of July

Soul Survivors

These Philly one hit wonders made a big splash with “Expressway To Your Heart” from this 1967 album. It always reminded me of the Young Rascals. And most of this album does too. They do have some amazing Hammond B-3 organ work here,especially on a version of James Brown’s “Please Please Please”. Where the album gets most interesting is when the Indian classical and psychedelic soul influences come in.

Key Jams “Expressway (To Your Heart” and “Taboo-India”

Jackie Wilson

Jackie Wilson’s 1968 album reminds me of how close the musical flavors were between windy city soul and the Motown sound. Jackie was the link between the two as Berry Gordy wrote a lot of his big hits of the 1950’s. This represents his most uptempo soul oriented album (with only two show tune styled ballads) of his late 60’s comeback. And the Motown connection even begins the album with a version of “You Keep Me Hanging On”.

Key Jams: “I Get The Sweetest Feeling”,“You Brought About A Change In Me” and “Nothing But Blue Skies”

Rainbow Bridge

Hendrix was near the end of his tragically short life and career when he appeared in this film. I actually liked the story of a young woman’s journey to Hendrix’s music through a political awakening. The soundtrack showcases how he and the Band Of Gypsies (Billy Cox and Buddy Miles) were about to change the game on the funk/rock sound the same way Hendrix and the Experience had a couple years earlier with psychedelia.

Key Jams: “Dolly Dagger”,”Earth Blues” and “Star Spangled Banner”

Supremes_1970s_Touch

This beautifully arranged 1971 album by the post Diana Ross Supremes has some very loving liner notes from the now Sir Elton John. It actually showcases the revived trio’s sound as focusing their mid tempo cinematic soul sound more towards an album than a singles focus as well.

Key Jams: “Nathan Jones” and “Happy (Is A Bumpy Road)”

Ahmad Jamal

This Ahmad Jamal 2 LP collection came borrowed from my father,who loaned it to me. It’s a rare 1973 collection of Jamal’s not entirely common three Impulse albums such as 1968’s Tranquility and 1972’s Outertimeinnerspace. A lot of these songs have an Afro Cuban/ Caribbean vibe with a does of soul jazz thrown in with Jamal’s trademark cool,light piano touch. He even pulls out the electric piano on one occasion with amazing results.

Key Jam: “Bogota”

Bar Kays Coldblooded

The Bar-Kays third and final album for Stax in 1974 was probably their most funkified overall thus far. They still had a lot of the psychedelic soul/rock touches that had them freaking out hard on their earlier albums. Yet the wah wah continued to let go big time on the title song,and the influence of Sly Stone and their penchant for funky impersonation started to show up on “Fightin’ Fire With Fire” as well.

Key Jams: “Coldblooded”,“Smiling,Styling And Profiling” and “Be Yourself”

Bell & James

Leroy Bell’s career arc from success to obscurity and back reads almost like fiction,as it turns out. In partnership with Casey James,the multi instrumentalist duo served up this 1979 album that didn’t provide as big a commercial as they did on the hit “Livin’ It Up (Friday Night)”,but did really get down with some sleek Westlake studio sounding disco/pop/funk/soul straight out of the Off The Wall vibe. And with a lot of the same musicians playing on it as well.

Key Jams: “Shakedown”,“Laughing In The Face Of Love” and “Fare Thee Well”

stephaniemills-stephanie(1)

Stephanie Mills 1981 album is one of those boogie funk classics where every song,especially the uptempo ones,stand on just about equal footing in terms of success potential. Reggie Lucus and James Mtume’s writing and production help a lot in this degree. Even though it has it’s predictable aspects,the strong sound and Mills’ gospel/soul vocal chops really give this album quite a workout.

Key Jams: “Two Hearts” and “Top Of My List”

spinners-labor_of_love

One thing I really admire about The Spinners is that they kept up with uptempo boogie and electro funk sounds even after the disco era-rather than focusing solely on slow ballads.  This 1981 album,one of records very funky albums they put out that year,has perhaps even more harder driving funk material than their 70’s hit period with Thom Bell. One of it’s few ballads,”A Man Just Don’t Know What A Woman Goes Through” even focuses on male sensitivity to the opposite sex when it comes to aging. Not to even mention closing with a good attempt at an early rap/funk hybrid.

Key Jams: “Long Live Soul Music” and “The Deacon”Let There Be Sun

Sun were among the handful of iconic Dayton,Ohio funk bands who came out of the late 70’s. Each of these bands had their special qualities. This 1982 release being their next to last albums is actually the first Sun I’ve ever heard thus far. And want to hear more considering their own distinct approach to the P-Funk vibe they seem to have here.

Key Jams: “Slam Dunk The Funk” and “Super Duper Super Star”

Tyka Nelson

Yes,this 1988 album was presented to me on the selling point that Tyka Nelson was Prince’s sister. I knew all about Tyka before this,but not that she ever had a musical career. The overall vibe of this album is very much of a mid-tempo dance and ballad urban contemporary album of it’s day. Tyka’s soft,melodic voice actually carries these sleek numbers quite well.

Key Jams: “No Promises” and “Marc Anthony’s Tune”

 

 

 

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Filed under 1960's, 1970's, 1980's, Ahmad Jamal, Bell & James, Boogie Funk, Chicago, Funk, funk rock, Jackie Wilson, Jazz, Soul, Soul Survivors, Stephanie Mills, Sun, The Bar Kays, The Spinners, The Supremes, Tyka Nelson, Vinyl