Upon starting this new feature on Andresmusictalk, the subject of 12″ inch singles was something that was always intending to be covered. With their extended,often remixed versions of the original album versions,the 12″ inch single is a format that derived from the disco era. And actually started in it with DJ’s playing the records for dancers as opposed to live bands. It was about a year or so ago that I started collecting these 12″ inch extended/remix singles again. So here is the first ones of this semi regular aspect of this feature. And it actually starts out just as the disco era had peaked.
On Your Knees (1979) is a very funky Eurodisco number,whose single featured eye catching cover art by Bronx born art/fashion photographer Richard Bernstein. The B-side “Don’t Mes With The Messer” deals more with the Broadway musical style of theatrical disco Grace was so known for in her 70’s era music. So you hear two sides of Tom Moulton’s late 70’s disco productions for Grace.
Listening to Edgar Winter’s Frankenstein 84 remixes from…1984,it becomes clear just how much this early 70’s glam rock classic makes a lot more sense in a mid 80’s electro funk setting. With the used of sequencers and Vocorders,Winter creates a break beat/hip-hop friendly variation on himself. Especially when his very strong,often outright growling,rap comes in on the “Monster Rap” mix.
1987’s Characters album is my favorite Stevie Wonder album of the 1980’s. On his 12″ inch single for “Get It”,his duet with Michael Jackson from that album,the drums shuffle more than on the album. And the break beats are re-sampled heavier. This gives it a flavor closer to the then emerging new jack swing variety of funk coming out of people such as Teddy Riley and Chuckii Booker.
The 12″ inch single for “Skeletons” from the same Stevie Wonder album is it’s own matter entirely. The DX-7 synthesizer on the intro is replaced with a thick,funky rhythm guitar for one. Also on the drum and synth bass interludes,Stevie’s call and responses of “hmm hmm hmm” and “oh wow” are set to samples of Ronald Reagan speeches. It really showcases what Stevie means singing”somebody done snitched on the news crew/it’s gettin’ ready to break”.
It was somewhat surprising to find a 12″ inch vinyl single from 1999. But on this set of remixes of Destiny’s Child’s “Say My Name”,you get Rodney Jerkin’s original hip-hop/pop version,a Daddy D remix that has an Afrika Bambaataa style electro funk groove while Maurice’s Last Days Of Disco has a late 70’s dance/early 90’s house flavor. It showcases how the song might’ve sounded in three different eras of time.
One thing about 12″ inch singles that I’ve forgotten about is how much they bring out that punchy,analog sound that vinyl is so renowned for. Some of these were actually 33 RPM,but the majority were 45 RM so that probably helped out a big in that regard. It also lasted far longer than I knew-about up to the advent of the MP3 and today they are making a comeback with the big vinyl revival. Creatively speaking,they allow remix producers, sometimes even the artists themselves,re-imagining their own work in new,unexpected ways. And this makes the 12″ inch vinyl single a format worth expanding on.