One of the key musical inspirations that led to the creation of my music blogs was the discovery of The Sylvers. For a teenager seeking to bring the world of Star Trek and other thoughtful science fiction into reality,the fascination with the cosmic funk of Earth Wind & Fire and P-Funk held a special meaning. An often referenced story of my musical back round is that 1994 vinyl giveaway at the University of Maine. It’s where I discovered a very beat up copy of The Sylvers 1977 New Horizons album. Never heard anything about this group before,save for that they seemed to resemble the Jacksons. Only with the women in the family on board. And the album contained the extra goodie of a fan club order sheet.
The cover art showing the seven member group dancing on a spaceship shaped like their own logo was designed by Japanese illustrator Shusei Nagaoka. He had a strong back round in funk album jacket design with his work for Earth Wind & Fire, Rose Royce, Sun and George Clinton. This was a very special album for the band. It was for them what Destiny would be for the Jacksons’ a year later. All of the band members got a chance to write and produce. And Leon Sylvers III really showed his growth in this regard. The bands adult oriented funk,soul and disco oriented sound culminated for me at the end of the album with a song entitled “Star Fire”.
A peddling cymbal/hi hat solo accompanied by a high spacey synthesizer opens the song. Then the rhythm guitar kicks,along with Leon’s crunching bass and the ascending strings. The main body of the groove consists of all of these elements,plus many more. A percussive main beat keeps the rhythm hot during the refrains of the song,as the strings play melodic call and response with the bass/guitar interaction. On the choruses the horns lead into the Sylvers harmony vocals. There are two separate bridges. One continues the call and response between the strings,bass and guitar. The other features the spacey synth. This last one closes out the song with a bluesy muted trumpet solo.
Listening to this song in the context of what else I’ve heard of the Sylvers music,this is very likely the strongest jazz-funk tune they ever made. And very likely the only one. It has the harmonic feeling of swing and hard bop with the rhythmic crunch of heavy late 70’s dance funk. The presence of jazz-funk session players such as Richard Tee,Steve Gadd and Tom Scott on this song really adds instrumental might to the Sylvers’ growing abilities as composers,producers and musicians. Each time I hear this,it really brings out just how musically strong this musical family became under such strong instrumental tutelage-both during and before the time this particular song came out.