Rick Stevens the man in the center of this album cover. Why he wasn’t seen on the cover has to do with the fact he’d left the band before Tower Of Power’s eponymously titled third album of 1973 came out. Warner Bros released 1,000 copies of this album with the wrong cover by mistake before withdrawing it. Steven’s was a lead singer for the band from 1969 up to 73. Sadly he passed away on September 5th at age 77 of cancer. Thought about doing one of the songs Stevens sang lead on in Tower Of Power. But his own story, first discovered by me in Wax Poetic magazine, is a far grander one to tell.
Stevens was born in Port Arthur,Texas. But grew up in Reno, Nevada where he began singing in church during childhood. His maternal uncle was the iconic R&B/soul singer Ivory Joe Hunter, for whom young Stevens held much admiration for and who came to visit him between touring. Stevens moved to the Bay Area in 1966. And recorded with a number of bands and, after an aborted time with one such band in Seattle, he moved back to San Francisco and joined Tower Of Power in 1969. He was a strong vocal presence on their first two albums,especially in terms of ballads.
Songs such as “Your Still A Young Man” remained Stevens signature songs throughout his time with the band. After leaving the TOP, he became part of another local horn oriented band in the Bay called Brass Horizon in 1975. Sadly a year later, he was arrested for his involvement in a failed and fatal drug deal. He spent over 30 years in prison, where he converted to Christianity and swore off drugs. He spent his touring Northern California with his new band Love Power. He released a CD with them entitled Rick Stevens Back On The Streets Again Vol. 1 in 2014.
The news of Stevens death came to me through by a writer and Facebook friend A. Scott Galloway. He’d found out about the singers passing via fellow TOP member Lenny Williams online post,after Williams had received the call from Stevens son. Later in the day after finding this out, my friend Henrique and I got to talking about how he framed some TOP album covers on his wall- in tribute to his local Oakland funk heroes. Though Stevens presence in TOP was comparatively brief, his story ended up being an abbreviated career that did end in a redemptive journey of sorts. RIP Rick Stevens!
From the moment it showed up in the record racks of Borders Books & Music 20 years ago or so? This self titled 1975 album by Rufus Featuring Chaka Khan leaped out at me. From the cover featuring the sweaty cartoon lips to the showing Khan,covered in a feathered leather outfit, sprawled out in a lip shaped easy chair? The imagery evoked an instantly funky and playful sexuality. Ended up picking up the album (along with it’s two predecessors) through the BMG Music Club. It ended up on near constant rotation during the summer of 1997.
Lately the talks between myself and Henrique has been focusing a great deal on the classic 70’s funk bands who had very few members,yet had very phat grooves and general sounds. And invariably Rufus would up being mentioned constantly in these conversations. While browsing through what I’ve written hear? It’s come to my attention that no song by Rufus has ever gotten a proper overview on this blog. Could not think of a better song to remedy that with than another conversation piece between myself and Henrique: the 1975 jam “Have A Good Time”.
It gets moving right out of the box with a chunky,bluesy bass/guitar interaction between Tony Maiden and Bobby Watson. The sustained organ solo of Kevin Murphy chimes in along with Chaka and the backup singers creating a wail of vocalese. The music breaks in and out between the opening bass/guitar exchanges,the stop/start drumming of Andre Fischer and the fanfares of the Tower Of Power horn section. The bridge features a spirited sax solo before another refrain-the song fading out with the band singing “everybody have a good time” in harmony to a rocked up,bassy guitar solo.
One of the things this song brings out is that even during the original funk era? Most have become rather fixated on the successful hit singles. And not concentrated on the albums as a whole the way they might for jazz and rock. In fact? Funk represents uptempo soul’s most album oriented sub genre. And to me? This is one song that proves it. Again,the instrumental sound is based primarily on four instruments-with horns added for good measure. And it’s a groove of a kind that can smoke both in the studio and onstage. The power of the song and it’s positive thinking message of “who said this party’s over?” makes it a less than sung “united funk” era classic.
Filed under 1970's, Andre Fischer, bass guitar, Bobby Waton, Chaka Khan, Claire Fischer, classic funk, Funk, Funk Bass, funk guitar, funk/rock, Kevin Murphy, organ, Rufus, Tony Maiden, Tower Of Power