Prince’s history in terms of his unreleased vault material,shrouded in mystery as it is,does have a vital history all its own for the artist. He recorded during most of his free time. And loads of songs for each album project. One period that myself and many admirer’s of Prince’s music love to dip into is his huge 1986 production. In the early 80’s,Prince was seeking to make a name for himself as a new wave/synth pop artist with heavy rock overtones. And his funkiness would be a side dish. By 1985,Prince added The Family’s sax player Eric Leeds into the Revolution. And funk would no longer be a side dish for him.
There were two Prince projects that came and went in 1986. There was a Revolution album Dream Factory, a three album set called Crystal Ball (not to be confused with the self released 1998 outtake collection) and an album credited to the name Camille. This would feature Prince singing in a chipmunk-link voice he slowed down,then sped up. Many tracks from this album found their way onto albums and as B-sides. One,”If I Was Your Girlfriend” became a major hit later. One very exciting song I’ve heard from this album that hasn’t been widely distributed is “Rebirth Of The Flesh”.
An ultra sound like synth pulse starts out the song. And remains the primary percussive element throughout the song. Within a minutes time,Prince adds a brittle fuzzed out guitar and big,funky drums with tons of space in it as part of the mix. As the song progresses,with Prince’s vocals having a rangy and tonally complex conversation with itself,the horns of Eric Leeds and Matt Bliston accentuate the melody JB’s style. On the refrains,the deep fuzzy guitar and Leeds’ sax merge into a heavy sounding sustained melody. At the end of the song a goulish,thundering sound brings it to a halt.
“Rebirth Of The Flesh” was one of those songs that brought every element of Prince’s musical artistry together. Its got a hard driving funky rhythm-with some of the most intense horn lines Leeds and Bliston ever provided. It also has a very industrial rock tone-with some Hendrix like bluesy guitar licks. Its also got some of the melodic and rhythmic dissonances of jazz greats such as Duke Ellington. It lends much credence to George Clinton’s comment that Prince would be “one of the baddest out there if he released some of what he had in the can”. So here we have Prince’s funk at its hardest and most daring.