It was Henrique who brought to my attention today that Kashif Saleem,born Michael Jones in NYC,passed away this last Sunday. The causes is still unknown as of now,and not that important. What does matter is that while Kashif was well known as a producer for other artists,it all stemmed from lesser sung achievements of his own. He joined the disco funk band B.T Express as a teenager for their third album Energy To Burn in 1976. He began producing for Evelyn King on her 1981 hit “I’m In Love”-beginning a long tradition of him producing funky female talent in the early 80’s. His talent went even further than that.
Alongside Stevie Wonder,Kashif is known as a synthesizer pioneer in funk/soul. He extended on Wonder’s work by creating sounds that became known as the boogie funk sound. That is mixing live rhythm sections with electronic orchestrations and melodies. He was an orphan who managed to get up of a very abusive foster family. While in primary school,he focused strongly on music. Even learning woodwind instruments-pretty rare for even multi instrumentalists. His self titled solo debut came out in 1983. The song that epitomizes his artistry on it for me is an instrumental entitled “The Mood”.
A strong,space heavy Afro Latin snare/hi hat drum starts off the song. The remainder of the song consists primarily of Kashif’s vocals and many layers of synthesizers. There’s a fluttering synth string,a wispy higher tones one in the back round and a brittle bass one accompanying the multi tracked layers of Kashif’s almost operatic,jazzy vocalese. On the refrains of the song,the melody goes into a higher key and a high funky rhythm guitar assists the melody. On the final choruses of the song,Kashif sings vocalese through a Vocoder before the song fades out.
Kashif’s boogie funk production style is generally spare but glistening enough to appeal to 80’s soul singers. But the moment I heard this instrumental 12 years ago,it was entrancing what a sonic marvel this really is. Its basically an Afro Latin jazz/funk number produced in the more electronic boogie style-with some beautiful chordal modulations and…just a general magical quality to the synthesized sounds created. Kashif will be remembered for me as someone able to get the most warmth out of 80’s era synthesizers. And I am hoping that will continue to be his most enduring musical legacy.