People have had discussions about who their favorite Beatle was. Each had their own distinct creative personality that made them work so well together. Yet if someone asked me which former Beatle appealed to me most musically,it would be Paul McCartney. As a composer/singer/multi instrumentalist,Sir Paul is possessed of the same multi faceted creativity of people such as Todd Rundgren and the late Prince Rogers Nelson-worthy of their mutual Gemini stars. He has his own distinctive approach to melody and groove-extending across hard rockers,easy going pop ballads as well as his most soulful side.
That soulful side of McCartney is what I’d like to talk about today. One of the key factors of him in general is how well he understands the importance of groups to his music. Between The Beatles and his second band Wings, McCartney always realized what other musicians from John Lennon to Denny Laine could offer him instrumentally than if he just played everything. Between arranging horns and working with musicians such as fellow bassist Stanley Clarke,Stevie Wonder, Michael Jackson and the Average White Band’s Hamish Stuart, here are some of my favorite of the soulful,funkier songs from Paul McCartney.
On the album Wings At The Speed Of Sound,the members of Wings all contributed their songs to the mix. This had mixed results,but one of my favorite contributions from McCartney himself was the stripped down melodic funk of “She’s My Baby”. Especially with it’s somewhat jazzy Fender Rhodes electric piano solos.
This dramatic blend of reggae rhythms and West Coast style jazz/funk was the song that caught my attention most. From the reverbed snare drum traps to the processed electric piano,it’s no wonder that this imaginative and melodic groove became the basis for Erykah Badu’s “Gone Baby Don’t Be Long” over three decades later.
McCartney played everything again on this song,while channeling his inner James Brown. In this case,turning his one man band (including his chicken scratch guitar) into a drum. Not to mention having one of the snappiest melodies of McCartney’s career to boot.
This is another very early 80’s song from McCartney’s second proper solo album that truly blew my mind. It’s a technological carnival of Brazilian percussion,funky bass/guitar interactions and a very psychedelic East Indian type melody. And keeps it all going for well over ten minutes as well.
Instrumentally speaking,this thickly bassy and percussive hard funk jam seems to be more the work McCartney’s duet partner on this song Stevie Wonder. But it leaves plenty of room for McCartney’s bass and guitar abstractions. Especially when the chorus of his Beatles classic “She Loves You” appears on the extended outro. My absolute favorite song from the McCartney/Wonder collaboration.
A superbly composed piece of Brazilian jazz/funk from Paul on his 1982 album Tug Of War. The rhythm guitar and synth bass are some of the hottest McCartney had done up to this point. Especially on the breakdown on the bridge of the song that reminds me Gap Band songs from that same period.
Stanley Clarke’s early 80’s collaboration with Paul McCartney continues on this expansively melodic jazz fusion instrumental from McCartney’s underrated 1983 album Pipes Of Peace. It starts out as a kinetic Afro-rocker almost,then mellows into a jazzy reverb laden keyboard and bass driven bridge. One of my favorite instrumentals from McCartney.
McCartney pulls out a full blown electro Afro funk percussion extravaganza on this song. Structurally,it’s a lyrical reboot of the title ballad of his previous album “Tug Of War”. But the feeling is much more revved up rhythmically-almost as if to say that peace is a source of joy while war slows you down. And this is all aside from McCartney delivering one of the finest bass like low rhythmic guitars of his career.
Discussing the music of Paul McCartney in a soul,funk and even jazz context might seem atypical. But it really isn’t when one considers the way in which musicians intermingle. In Liverpool,most of McCartney’s musical acquaintances were playing the same type of music basically. He the man traveled the world and gained more experience,the newer musicians he became associated with continued to expand his stylistic and rhythmic repertoire beyond even where the Beatles had take their music. And it’s his creative flexibility that is the core of the man whose turning 74 today.