Tag Archives: 3121

Prince: His Music & The Art Of Understanding

Prince art

One of the keys to my personal understand of Prince would be flexibility. Expansion of ones tastes and thoughts would seem to be vital in order to have the appropriate appreciation for the art of Prince Rogers Nelson. Having reviewed and done at least two blog posts about the man already? It feels like exactly the right time to acknowledge the fact my experiences with his music spans across four decades-give or take a year or five. So on the man’s 57th birthday? I am going to run down,decade by decade, just where my path growing up intersected with his purple life.

1980’s

There’s always a vague memory from a child’s point of view. But hearing “When Doves Cry” on my mom’s 45 RPM record of it,when it was brand new,was a very unusual musical experience for me. At the time? I didn’t know what I was hearing. On the beach near where we had a summer camp? The ground was littered with flat,slate like rocks with a red/indigo color that my mom referred to as “purple Prince rocks”. These rocks were collecting heavily in my room by the time I heard my next Prince song-a very choppy VHS recording my dad made me of the video to his song “I Could Never Take The Place Of Your Man”. This was Prince’s commercial prime-his public decade as an artist. I knew of him,but perhaps took him a little for granted.

1990’s

 When Prince elected to change his name (amid record company hassles) to an unpronounceable symbol in 1994? My first reaction was actually laughter and eye rolling. By that point? Most of the artists I deeply admired were involved in some very public scandal. I felt the media were unfairly projecting Prince as being insane. Naturally this attracted me to his music. First came The Hits/The B-Sides. After that,while revisiting the salad years of this back catalog up to that point? My first experience with new Prince music came via multi CD sets such as Emancipation and Crystal Ball. If the 80’s were Prince’s prime decade? Then the 90’s were the prime decade of my personal experience with his artistry.

2000’s

Becoming an adult was a happy time for me to be an admirer of Prince’s music. Mainly because he was calling himself Prince again. Of course another aspect of being an adult during the immediate post 9/11 years kept me from the latest news on the man. While Prince was at last a creative free agent? I was personally experiencing a great deal of difficulty managing life on my own. Issues I still face,to some degree, to this very day. Interestingly enough? Being able to delight in the exciting funkiness emerging from new Prince releases of the time such as Musicology,3121 and MPL Sound had me rooting for the man’s success as an example to myself: that an artist could be successfully and creatively free at the same time.

2010’s

It’s been an interesting six year journey with Prince by this point. One had has yet to be complete. This decade started off with me being very disappointed,annoyed and angry with Prince’s business choices. Not only was he electing to release little to no music. But his live shows never came close to reaching my area. Not to mention him turning his nose up at the internet. Which was at this point becoming an enormous aspect of my own creative expression on every level: literately,artistically and photographically. This has all changed within the last year or so. Prince has re-signed (on his terms) with Warner Bros. and released two new albums. With the promise of more. Also he’s released a single to raise awareness for the BlackLivesMatter initiative with his racially charged single in “Baltimore” as well.


One element that has been enormous in my understanding of Prince during the past decade and a half or so has been the enormous presence of third person perspective. Facebook friends such as Brandon Ousley,Henry Cooper and in particular Henrique Hopkins have been instrumental in providing often illuminating insights into the creative and personal character of the often elusive Minneapolis native. One element of Prince’s recent character I appreciate is his public advocacy of albums as a vital musical concept. Especially in the retro 50’s/post MP3 attitudes of single songs again being the main source for popular music. If Prince and my own life progress forward along a similar clip to this? I might at last achieve a full appreciation in my art of understanding of the artist and his motivations.

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Filed under 1980's, 1990s, 3121, 45 records, albums, BlackLivesMatter, CD's, Crystal Ball, Emancipation, Facebook, Funk, MPL Sound, Musicology, Prince, The Hits/B-Sides, When Doves Cry

Andre’s Amazon Archive for June 7th,2014: Prince’s ‘Musicology’ and ‘3121’

          In celebration of Prince’s 56th birthday today,the artist in on the threshold of a huge comeback on Warner Bros. At the same time,this is not the first time he has been in such a position since the turn of the 21st century. Since Prince is now securely in the position of being the type of legacy artist in his field that he once musically admired? I am going to be presenting two reviews of the albums that symbolized Prince’s last major comeback about a decade ago. Enjoy!

Musicology

First off THE best thing on this CD is the title track-an as pure-as-funk-can-be distillation of all of Prince’s musical influences-a trip back to funk 101.When I first heard the CD a couple years back I was slightly disappointed,expecting an album of songs just as funky.For one critical moment I forgot what Prince was all about-musical eclecticism.This album is free of is the heavy rap/hip-hip type funk of some of his symbol era recordings.Luckily a new wave of pop artists have taken Prince’s classic sound as a base for their own and ‘Musicology’ finds him taking back that sound,representing Prince getting back to home plate in terms of his music-that means his freewheeling mixture of funk,soul and rock styles and everything in between.

“Illusion,Coma,Pimp & Circumstance” and “Life Of The Party” are both catchy,upbeat dance songs with a lot of programming and synthesizers,but they are used in a fairly organic fashion. Both.Both are about what is new and progressive in funk rather then the old school retro style of the title cut.The main styles used on this album are a series of sexy ballads based in classic 60’s soul,”Call My Name”,On The Couch” and “Dear Mr.Man” all put a great Princely spin on an old style.One of the most impressive songs here is the eerie “What Do U Want Me 2 Do”-another great example of a well crafted song with no musical boundaries that Prince does so well,with a very complicated rhythm pattern.Most of the rest of the album explores Prince’s patented pop-rock sound on such hard edged tunes as “A Million Days” and “If Eye Was The Man In Ur Life”,both showcasing Prince’s multifarious ability on the electric guitar and his great rock n roll shouting.And he delivers one of the very best pop records of his career with the peppy “Cinnamon Girl”,on my top ten list of favorite Prince songs actually and sounds very timeless.

The final cut “Reflection” is just beautiful-a pleasant,radio friendly pop/soul/folk ballad that’s very gentle and attention grabbing.Having been released twenty years after his “Purple Rain” album this shows the music world that Prince has actually taught the mainstream audience of his generation some important musical lessons-that despite radio categorizing and such the barriers between funk,soul,rock,folk and jazz are not as big as they seem to be-even though each tend to have their own audience and are usually referred to apart Prince has found a way to bring them all together into one style AND get people to enjoy them over the years.And despite whatever angry,political rock-hip hop/funk that TAFKAP tended to specialize in Prince was always there bubbling under the surface.’Musicology’ is a new beginning for Prince,a journey he started at the beginning of the millennium by taking his name back and (finally) his music.

Originally Written On May 26th,2006

3121

 

To me as a Prince fan of twenty years I was glad to see in Rolling Stone that ‘3121’ got to Number 1-it’s been awhile.But Prince’s latest CD’s since his post TAFKAP days have been a bit of a mixed bag.So I got this for my birthday and just slapped and on and BOY I must say I am impressed.But you have to put this CD on good stereo headphones-it burns.My opinion?Prince still has the nack for genre bending.And yes-‘3121’ has certain elements of his 80’s sound,namely the synthisized hooks and the heavy pop hooks.But Prince has changed his mind about the musical styles he uses for the now patened ‘Prince’ sound (he really just deserves a genre of his now)-classic funk is still the base but the rock blends in more and the jazz and new Brazillian elements are actually put into play,and (thankfully) the hip hop stuff is dead.As always variety continues to be the spice of Prince.

The title song is very deep, bassy and mysterious but “Lolita” burns with a harder,sexier funk and has a great tune attached to it.”Te Amo Corazon” is lovely,gentle latin pop jazz and very sudtle.”Black Sweat” is the big hit-it’s a fairly contemporary variation of the 1986 era Prince sound that produced “Kiss” and “Girls And Boys” but is much darkly sexier in tone.”Incence and Candles” as well as the more uptempo “Love” and “The Word” take a more contemporary taste on funk but it’s no in Prince’s orbit it’s barely noticable.”Satisfied” is terrific-one of Prince most passionate forays into classic 60’s soul with some great belting and Hammond Organ and very cleverly written.”Fury” is the one tune that harkens all the way back to 80’s Prince music with it’s funk-rock pop mixture.The final three songs here are actually some of the best here-“Beautiful,Loved And Blessed” is very bouncy and hummable-Tamar takes lead and raps (a little) and does a good job.

“The Dance” has a latin feel too but tries at a type of music Prince hasn’t really done before-the kind of Brazilian funk-jazz fusion Sheila E,George Duke.Airto and Flora Purim were doing in the 70’s.”Get On The Boat” is a terrific way to cap off-Maceo rips a solo through a cut totally worthy of James Brown-Prince himself even takes some grace notes from The Godfather himself.After all these years of hits and misses Prince is still THE MAN when it comes to his craft and at the very least ‘3121’ finds him at the top of his game.I do not know if it is marriage or his new religion that have inspired him and besides these could all be songs that existed in his vaults since the 80’s.But not likely-Prince is someone who seems to revel in letting the public here his latest material rather then relaying on his legendary vaults,which he only did briefly in the late 90’s during his post Warner Brothers slump.’3121′ merges the old with the new-it reaches out to young listeners with it’s bassy sonics,dancibility and use of technology as well as reaching out to more (shall I say) adult contemporary listeners looking to hear music from someone they grew up with-hard to believe Prince is lumped in with that age group now.And for those who just want to get funky?This like ANY Prince album is just the ticket.But it more then lives up to the hype and if he keeps moving on from this direction this could be the beginning of a new commercial comeback for his music.

Original Review From May 25th,2006

*Here are links to the original reviews.

For ‘Musicology’- http://www.amazon.com/review/R1N3RE80DZWGUA/ref=cm_cr_pr_perm?ie=UTF8&ASIN=B0001XTRCI

For ‘3121’- http://www.amazon.com/review/R1HDH29CYRI5VJ/ref=cm_cr_pr_perm?ie=UTF8&ASIN=B000E97HIA

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Filed under 1980's, Amazon.com, Blues, Electronica, Funk, Funk Bass, James Brown, Jazz, Minneapolis, Music, Music Reviewing, Prince, Radio, rhythm & blues, Soul