Tag Archives: Angela Winbush

Anatomy of THE Groove: “Save Your Love (For #1)” by Rene & Angela

Angela Winbush has had an astounding musical journey. Its started in churches in her native St. Louis.  After a time singing to finance architectural studies, she began studying  with gospel legend Richard Smallwood. It was from there to stints with Mtume and Stevie Wonder’s Wonderlove. That proved a training ground for Winbush’s talents at songwriting/composition-as well as producing and arranging. She teamed up with fellow singer/producer Rene Moore, the brother of Rufus’s bassist Bobby Watson. The duo recorded four albums together between 1980 and 1985 before perusing solo careers.

Before the (eventually) legal recriminations that broke the duo up, Rene and Angela also embarked on a career of writing/producing for other female talent. Namely the first four songs on Janet Jackson’s self titled debut album in 1982. The duo’s final album, 1985’s  Street Called Desire is their post popular. And features contributions from Quincy Jones alumni in producer Bruce Swedien and Paulinho Da Costa. As well as Jeff Lorber and the majority of Rufus. The albums opening song is one of my favorites on the album. Its entitled “Save Your Love (For #1)”.

An industrial sounding orchestral synth riser opens up the song-just before its basic groove kicks into heavy gear. That groove is based around a brittle 808 drum machine-with ringing cowbell effects. Not to mention guest star Kurtis Blow rapping the chorus. Along with a 3 note synth bass line and pulsing, razor like synthesizer. This makes up most of both the refrains and choruses of the song-with Winbush and Moore’s vocal exchanges making up for most of the melody.  On that chorus,  Da Costa’s percussion and some gigantic swelling synths take over before the song fades out on an extended chorus.

“Save Your Love (For #1)” is naked funk of the most transitional kind. Its sound anticipates the stripped down, beat based sound of second generation recorded hip-hop. While in terms of the rhythm, it maintains a heavy freestyle funk ethic that’s tonally sharp and cutting. Of the two voices, Winbush delivers the husky soul vocals. While Moore comes at it from the higher pitched, romantic croon. On the musical, vocal and conceptual level, “Save Your Love (For #1)” brings together different approaches to soul and funk that make its very approach fairly unique and special.

 

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