Tag Archives: Ariana Grande

Anatomy of THE Groove: “Heartstroke” by Calvin Harris featuring Pharrell Williams,Ariana Grande and Young Thug

Calvin Harris is yet another example of a European DJ/producer/multi instrumentalist in the 2010’s who have wound up keeping strong funkiness in their club oriented music. As a matter of fact, many of them (Harris included) have taken many contemporary singer/performer’s along for the ride with them. Hailing from Dumfries, Scotland, Harris is the son of a biochemist. Calvin himself had a very working class trajectory after high school-working odd jobs to buy DJ gear to develop his craft further.  By 2011, Harris was working with pop artists such as Rihanna. And had several major albums on his own too.

Last week Harris, whose generally EDM based releases have generally veered about as far as nu disco in the past, released his fifth studio album entitled Funk Wav Bounces Vol.1. It is his first to include no instrumental pieces. And is heavy on collaborations with contemporary singers and rappers. The album first came to my attention riding around town with my mom and hearing the song “Feels” from it on the local new music radio. Very much enjoyed it but upon listening closer, I found Big Sean’s language in it too profane. On the song I’m doing today “Heartstroke”,its a somewhat different story.

A cymbal and jazzy electric piano melody opens the album,with Pharrell Williams deepened voice being soon joined by light percussion and rhythm guitar. When Young Thug’s lead vocals coming,the songs post disco beat and grinding,popping bass line comes in to join it for the first verse of the song. Pharrell joins Young Thug in call and response harmony on the choruses. The song changes octave a bit when Ariana Grande comes in as vocal lead-again duetting with Pharrell. After a bridge with a more sustained synthesizer part, it all fades out on a psychedelic Latin funk wah wah/percussion tone.

What “Heartstroke” actually does musically is very interesting. It showcases the most condensed groove present in the (in its day) somewhat necessitated lower budget of early 80’s post disco/boogie music. Yet it also has some the jazzy electric piano and Brazilian style percussion flavors of late 70’s jazz funk. The type that found its way into Quincy Jones’s late 70’s/early 80’s productions as part of the “LA sound”. Young Thug’s language has its issues here for sure. But he presents it with a Jamaican dancehall style vocal that makes this a strong mixture of older and newer funky musical ideas.

 

Advertisements

Leave a comment

Filed under Calvin Harris

Stevie Is Wonderful: Inner Visions Of Songs In The Key Of Life-An All-Star Grammy Tribute To Stevie Wonder

Janelle,Jill And India Pay Tribute to Stevie

On Presidents Day evening,the Grammy Awards association aired a television special on CBS featuring contemporary artists,many of them award winners themselves,in order to pay tribute to Mister Stevie Wonder. Not only was this a tribute to an artist I completely admire creatively. But someone who won awards and earned his success and fortune through the true innovation of sound. It was an event filled with many surprises. And today I would like to talk about what I saw,sung,laughed and danced to watching that night right along with so much of America!

ed_sheeran_beyonce_stevie_wonder_tribute_h_2015

The evening began with Beyonce performing a medley of Stevie’s first hit “Fingertips” and “Master Blaster” joined by guitar player Ed Sheeran. The highlight of this intro was from the guitarist Gary Clark Jr,who played a rocking blues electric guitar solo on a rendition of “Higher Ground”.

LL Cool J

LL Cool J was of course MC’ing the entire affair as he has the previous two Grammy Award ceremonies. He began by talking about Stevie Wonder’s effect on his life-as many of the artist this night did. Wonder was visibly moved to tears by this level of affection for his art. Towards the end of the special,LL asked the audience all over the world to close our eyes for a moment to contemplate the level of vision Wonder projects into his music. A very meaningful gesture.

Gaga doing I Wish

Lady Gaga’s performance of “I Wish” moved me perhaps the most on this special. Playing the Fender Rhodes electric piano with the help of keyboard maestro (and former Wonderlove member) Greg Phillinganes, Gaga was moved to move rhythmically to the music as Phillinganes took over the keyboard soloing. Not only was this a pronounced celebration of the instrumental ability of an artist mainly acknowledged as a performer. But was a pretext to a beautiful shout out and citation to the often very unsung talent of Greg Phillinganes himself-especially as a participant in Stevie’s ascent into iconic status in music.

Annie Lennox Stevie Wonder Songs In The Key Of Life - An All-Star GRAMMY Salute

Annie Lennox took on “My Cherie Amour”,vocally taking on a full bodied understanding of the emotional juxtaposition between passion,flirtatiousness and awkwardness expressed in this song. Jill Scott,Janelle Monae and India Arie-pictured at the top of this blog paying tribute to their favorite Stevie Wonder albums,gave a truly powerful group duet of the song “As”. Not only did they successfully pay tribute as presenter Mary Wilson indicated of the classic girl group dynamic? But each of them took a try at imitating Stevie’s famous growled vocal bridge of the song.

ryan_tedder_pharrell_stevie_wonder_tribute_h_2015

Pharrell Williams and Ryan Tedder did a spirited duet version of “Don’t You Worry ‘Bout A Thing”-pointing out that often a song intended as a singular expression by an individual can be reflected by two as well.

Jennifer Hudson

Jennifer Hudson bought her powerful gospel fueled pipes to a passionate take on the renowned ballad “All In Love Is Fair”. She maintained the flavor of the song as a secularized romantic hymn until the very last note was sung. Stevie’s daughter Aisha joins Ne-Yo in a duet of “Isn’t She Lovely”-essentially paying it forward to her fathers musical tribute to her birth.

andre-bocelli

Andrea Bocelli shares physical blindness in common with Stevie Wonder and for this particular occasion? He gives his own vocally expression rendition of “I Just Called To Say I Love You”. Ed Sheeran did an acapella/guitar rendition of “I Was Made To Love Her” showcasing Wonder’s talents as a multi instrumentalist.

ariana-grande-and-babyface-stevie-wonder-tribute

Relative newcomer Ariana Grande performed “Signed Sealed and Delivered” in an acoustic bluesy soul flavored rendition with Babyface performing the vocal duet and playing acoustic guitar in accompaniment. Another example of a song intended from one person’s point of view-this time taken from a male/female dynamic.


Overall this was a very impressive tribute. All of the participants did something totally unexpected with Wonder’s songs. And most importantly? There was a great deal of understanding of the man’s musical visions from them as well. Paul McCartney made a brief guest appearance sharing personal reminiscences of knowing “Little Stevie” as a teenager. And perhaps Tony Bennett before his performance of “For Once In My Life” said one key artistic point-that Stevie Wonder’s vocal and compositional spontaneity made him one of the best jazz artist Tony’d ever heard.

Perhaps the best observations came from Stevie Wonder himself. Having been cited for his often unsung importance as the public consciousness of the crusade to make Martin Luther King Jrs birthday a national holiday in 1980? Stevie played a medley of his fusion instrumental “Contusion” and “Sir Duke”. He than spoke to the audience about how the only way humanity could deal with it’s present cultural clashes would be to come together with our differences,not use them as a wedge. The fact Stevie’s views on humanitarianism have remained consistent throughout the years says the most important thing about the interconnection between this man and his musical offerings.

Leave a comment

Filed under Andrea Bocelli, Annie Lennox, Ariana Grande, Babyface, Beyonce', Ed Sheeran, India.Arie, Janelle Monae, Jennifer Hudson, Jill Scott, Lady Gaga, LL Cool J, Paul McCartney, Pharrell Willaims, Ryan Tedder, Stevie Wonder, Tony Bennett

Andre’s Amazon Archive for April 19th,2014: Sharon Jones & The Dap Kings ‘Give The People What They Want’

sharon Jones album

For the sake of its relative importance to this review,I do have a personal experience with Sharon Jones & The Dap Kings this year. I was watching 2013’s annual Macy’s Thanksgiving Day Parade-enjoying the usual parade of happy balloons and the floats,which often contained a musical act of course. Most of them were of course second tier teenpop acts of today. Some of then such as Ariana Grande were not actually half bad. But much to my surprise this band appeared performing “Ain’t No Chimney’s In The Projects”-an extremely atypical type of Christmas song to be appearing at such an event. Shortly after that I learned about the release of this particular album this year. No needless to say I was extraordinarily excited seeing as their last album,while excellent,was basically a collection of outtakes. Whatever the situation,this album is certainly not disappointing to me.

“Retreat” starts out the album with a hugely percussive stop-start rhythm with some lightening fast blues/funk chord changes. “Stranger To Happiness”, and “Get Up And Get Out” both deal with a strongly polished Motown styled uptempo sound while “You’ll Be Lonely”,with its stuttering guitar riffing and slow crawl,represents fine hard Crescent City style funk at some of its finest. “Now I See” goes into the horn heavy soul shuffle with a very strong roadhouse blues style melody-showing how strongly those musical ideas mingled together so well to begin with. “Making Up And Breaking Up” is a grandly performed balled with a beautifully reverbed multi-tracked vocal chorus for that otherworldly flavor. “Long Time,Wrong Time” has this strong electric piano Memphis gospel/soul-funk attitude with it’s stripped down atmosphere. “People Don’t Get What They Deserve” is fast paced Windy City style funk/soul “people music” frankly addressing the inequities between the econimic classes which,sadly,still continues the world over. “Slow Down Love” is a dynamic,horn break oriented ballad to close out this album.

Yes its short but,of course in the Daptone tradition the analog era minded flavor is maintained throughout. Of course two things album this album that I appreciate is the Dap Kings total devotion to their instrumental sound and songwriting. They always realize that its not only important to play “real instruments”,but also to have the creative vision to produce with with strong recording values and substantive lyrical content. Not only that but this is also a band that never ceases to emphasize uptempo funk and soul with prominent melodic content as well. As long as Sharon Jones & The Dap Kings are around,there’ll be very little chance that people will think of retro soul as some type of generational trend. This band is always emphasizing the instrumental and melodic importance/vitality that the mid/late 60’s style soul/funk process era which they’ve embraced had to offer. They’ve done that progressively more so with each of their progressive albums. Somehow or other,each and every time there is just a little more growth and a little more power to their approach. So I can only hope they’ll keep bringing the positive end of the soul and funk spirit out in their music for a long time to come!

Leave a comment

Filed under Blues, Funk, Memphis Soul, Motown, New Orleans, Sharon Jones & The Dap Kings, Soul