Michael “Mick” Talbot could be described as the man who, even prior to James Taylor, pioneered the revival of Hammond organ based soul/funk on the British musical scene. In the late 70’s, Talbot played in a trio of mod revivalist bands. The best known of them in the end would be Dexy’s Midnight Runners. Mick of course found his voice with Paul Weller as The Style Council. They embraced an often jazz laced blend of contemporary funk,soul and dance music’s. All inspired by Weller and Talbot’s mutual goal to musically shatter the myths and culture of the rock music world.
The band released their debut EP in 1983 in several countries except for the UK, interestingly enough. The following year they released their be bop and hip-hop laced full length debut Cafe Bleu. On both these releases, a precedence was set for including Talbot composed Hammond organ based instrumentals into different sections of the albums. One of my favorites was originally featured as the B-side to the 1984 single version of the song “My Ever Changing Moods”. The name of this particular instrumental had a cute wordplay about it: “Mick’s Company”.
Talbot starts off the song playing an ultra funky riff-doubling up what sounds like a Clavinet setting on a DX-7 synthesizer-all before Hammond organ swirl breaks into the drum roll right into the song. The main theme is this Clavinet effect played with a round synth bass pumping heavy behind it. And Talbot’s bluesy organ playing a counter solo to the introductory synth riff. There are two B sections of the songs where it changes chords. And the organ solo becomes more elaborate. Talbot improvises more and more on the organ as the song processes towards its fade out.
“Mick’s Company”, perhaps the most of Mick Talbot’s organ based instrumentals with the Style Council, really epitomize a somewhat under explored instrumental funk direction for the 1980’s. It combines the bluesy song structure and organ improvising of hard bop/soul jazz, the guitar like Clavinet based sound of the 70’s and mixes both together with a mid 80’s digitized synthesizer/bass oriented approach. It really encapsulates the previous three decades of instrumental soul/funk in under 3 minutes. In the end, it helped give the Style Council their distinctive spin on funk and soul for the 80’s.
Prince was a very busy man in 1983. He was getting things together for his first major motion picture. It was originally for a script called Dreams. And of course this script evolved into the movie Purple Rain. During this period he recorded material for this films soundtrack,a second Vanity 6 album (which eventually became the Apollonia 6),Sheila E’s solo debut and a third album for The Time. Prince also recorded a number of songs on his own during these sessions that,while a bit off the cuff for album tracks,became some of the best known 45 RPM single B-sides of his career.
One of these B-sides is a song referred to in it’s entirety as “17 Days (The rain will come down, then U will have 2 choose. If U believe, look 2 the dawn and U shall never lose)”. My mother first brought Prince into the family’s home with a 45 single of “When Doves Cry”. Like many kids who love turning over rocks and logs,I insisted on hearing what was on the side. From the first moment I heard “17 Days” as this songs B-side,it showed me there was a lot more to Prince musically that I didn’t know. After all these years of my exploration of the song,may I present to you my full overview of “17 Days”.
An complexly chorded filtered psychedelic guitar opens the song. Then the rhythm gets going. It’s a slow drag of a drum beat accentuated with some clanging,shuffling percussion. Throughout this,an equally filtered bass line seems to have been slowed right down in the mix as it slowly scales up and down. First a hard 2 note rhythm guitar assists this groove-followed by a high pitched synthesizer that continually accents the melody of the song. After the Vanity/Apollonia 6’s Brenda Bennet provides backup choral vocals to Prince’s,the groove intensifies on the bridge before fading out back on it’s main theme.
In all honesty,this might be one of the most amazing funk numbers Prince recorded during his 1983 Purple Rain production. I’m not 100% certain of this. But a lot of the instrumentation on the song sounds as if it comes from a slowed down tape. And of course the drums and percussion are slow on their own. Because it is a bluesy jazzy chorded type of heartbreak oriented groove and lyric,it really brings out how a lot of the most powerful funk is on the slow side rhythmically. So to me,this song stands with “Erotic City”(from the same vintage) as among the very funkiest B-sides Prince had recorded.
Filed under 1980's, blues funk, Brenda Bennett, drums, Funk Bass, guitar, Minneapolis, Minneapolis Sound, percussion, Prince, Prince & The Revolution, Psychedelia, Purple Rain, slow funk, synthesizers