Justin Timberlake has had a very full several years. He had a successful comeback tour for his previous two albums-both parts of The 20/20 Experience. That tour was the subject of a Netflix concert film entitled Justin Timberlake + The Tennessee Kids. In addition, he also provided voice over work in the Dream Works animated film Trolls-as well as contributing the commercially successful single “Can’t Stop The Music” to the soundtrack as well. Since then, JT has been back in the studio. And at the end of this week, his newest album Man Of The Woods will drop to the public.
This latest album will feature 16 new songs from Timberlake-with two guest stars in the new millennium neo soul songstress Alicia Keys and another with modern country singer Chris Stapleton. So far there have been three videos for three of the new songs pre released from this album-including the duet with Stapleton. The first video/song from this new album to be released came as a bit of a surprise to me. And results showcased where Timberlake seemed to be focusing his musical energies as he was approaching his 37th birthday today. The name of this song is “Filthy”.
A rumbling guitar rumbles into a marching beat and a rocking, up-scaling riff as the intro the song. The drum suddenly changes to funky electronic tone-with a double percussion accent on the second beat. There is a dub-step style wobble bass starting things out on that rhythm. Than a live electric bass/guitar interaction comes into that mix for the song its main groove. Timberlake is rapping/chanting somewhat James Brown style in the beginning. On the chorus, an ethereal synth pad adds a high pitched layer of color. That pattern continues until a digital tone brings the song to a total halt.
“Filthy” is a song with a strong groove and a strong video-one with JT presenting himself as a Steve Jobs style figure presenting a animatronic dancing robot. The groove of the song is also an electro funk one as well. The wobbling bass is normally associated with dub-step, EDM and trap. These are musical genres that usually emphasis more decorative beats and sounds. “Filthy” takes that modern instrumentation and brings it into a solid electro funk groove. Timberlake’s soulful vocal turns also help give the melody that funkified flavor as well. Making the song a good possible new direction for funk to take.