Have to totally agree with my blog partner here Rique and fellow WordPress blogger The International Review Of Music that 2014 has been a tremendous all around year for funky music. And funky is Rique and my favorite kind of music from my understanding. And this year we’ve had that become popular on a massive level thanks to starting the year out grooving with Pharrell William’s “Happy”. This was a global phenomenon-with people all across the world doing their dance to the song on YouTube. For the first time in history,a number one funk song connected billions of people in the internet age. And that alone is no small feat. And one Pharrell should be proud of for his entire life.
If “Happy” was standing by itself this year? That would have been wonderful. But it did so much more. Kelis and even 90’s quiet storm soul singer Joe released tremendously funky music this year! And massively welcomed comebacks from Prince,Funkadelic,War,D’Angelo and posthumously from the late Michael Jackson were also enormously successful events. In fact D’Angelo’s Black Messiah ended off the year with a major surprise release in the wake of the tragic and highly topical police shooting of Michael Brown in Ferguson Missouri. That album may have had to wait until 2015 to see the light if that dark day hadn’t have shinned the light on the need to talk,sing and play about it.
Since funk was the key to providing not only great music but positive and enriching messages this year? I wanted to conduct our first interactive blog here on Andresmusictalk. There have been many wonderful releases this year in the funky spectrum of sound. Hoping all of you have been enjoying them. So presented below is a list of key funk,jazz and soul related albums from 2014. Inviting all of you to select which ones interested you most! Wishing everyone a new dance and new vitality of life for the year to come and enjoy the polling everyone! Thank you!
When I first discovered Incognito when my own mother purchased their 1999 album No Time Like the Future album in a budget bin at the now defunct Wild Rufus records on Coastal Maine,who could’ve guessed that by that time there would be a decade or more of catching up to do with them. There was no internet in our household at that time. So all there was to pay attention to was the music. Since then I’ve been able to learn what a journeyman musicians career Bluey has had since he first recorded as Incognito in the early 80’s and reformed the outfit a decade later. I call them that because its never been a totally formalized band. Many members have come in and out over the years. Yet since 1991 they’ve maintained a very consistent schedule of album releases,touring and appearances on other artists records. They represent not only a modern day jazz-funk band,but a similar spirit to the originals in the sense that much of the “acid jazz” genre,which encompasses that ethic,seems to revolve around them in some kind of way. And here we are,its 2014 and Incognito are celebrating 35 years as an entity. And this album represents part of that big celebration.
Normally I’d start such a review discussing the pluses. However,just to get it out of the way “I Couldn’t Love You More”,”Rapture”,”Day Or Night”,”Another Way”,”I See The Sun” and “The Hands Of Time” are not only highly repetitive of one another,but also of the sort of major/minor chorded horn based mid-tempo grooves that seem to comprise the bulk of much of Incognito’s albums since the beginning of the millennium. That being said,they are all wonderfully played and performed. “Hands Up If You Want To Be Loved” mixes it up with a rhythmic lilt and a bit of a slick gospel drenched juke joint type piano. “Hats (Makes Me Wanna Holler)”,with its 60’s era Crusaders/Ramsey Lewis/Young Holt uptempo hand clap-powered gospel soul/funk just cannot help but bring to mind a musical response to Pharrell Williams newly iconic hit Happy. “Silver Shadow” is my favorite song on the album,with its powerfully melodic chorus and glistening,high pitched dyno’d electric piano chords right out of the early 80’s sophistifunk school the band themselves came out of to begin with.
“Day Or Night” has a jazzy neo soul flavor very much in the vein of a Jill Scott or Erykah Badu. “Something ‘Bout July” gets into a Stevie Wonder style Latin soul/funk samba type groove while “Wind Sorceress” again provides that hyper melodic stop/start sophistifunk groove on a more instrumental end of things. “Never Known A Love Like This Before” is one of their always strong disco friendly uptempo dance/funk scorchers “Stop Running Away” is a cinematic type groove with Bluey singing in a captivating (at least to me) choked Curtis Mayfield style falsetto. The title song,presented in two parts,also continues in the cinematic funk vein. This would’ve been a near perfect album in every way since there is an overriding Chitlin’ Circuit style of chunky,gospel drenched funky soul-jazz about some of these songs that showcase a new instrumental direction with Incognito. Not to mention the uptempo Afro-Latin style percussion dance/funk numbers are among their best. Maysa,while an asset,is not present here however this I have no trouble with. The only thing that detracts from this album is something they’ve tended to do a lot: rely too much of minor chorded mid-tempo grooves that sound similar and make the album go on somewhat longer than it may need to. Still that doesn’t take away too much from the fact they are still here. And make it clear they have intentions on innovating their music and perhaps learning from their creative missteps in their bright looking future to come.
*Here is a link to the original review on Amazon.com. Please view and comment on site as well. Thank you!