Tag Archives: Joe Jackson

Anatomy of THE Groove: “Steppin’ Out” by Joe Jackson

Joe Jackson, born David Ian, came out of his Staffordshire,England into playing piano bars as a teenager. His early precociousness led him to earn a scholarship to London’s Royal Academy of Music. His first band was Edward Bear, later renamed Arms and Legs. They band broke up in 1976 after two unsuccessful singles. He got his professional name from the experience however. His demo got the him the interest of A&M records,who signed him in 1978. His Joe Jackson Band had a big new wave hit right out of the box with “Is She Really Going Out With Him?” from their debut Look Sharp!.

The Joe Jackson Band broke up after the 1980 album Beat Crazy. Jackson himself went on to record an album of swing and jump blues classics on his 1981 release Jumpin’ Jive – oddly enough presenting that style of music as the punk rock of its time in terms of public reception. His sincere interest in jazz music grew to the point where, in 1982 he released the album Night & Day-a vital collection of jazz,pop and Afro Latin musical ideas and the song writing of people such as Cole Porter. The song that became the most enduring and popular on the album was called “Steppin’ Out”.

The song (especially in the single version where it doesn’t flow from the previous song on the album) begins with a metronomic, lightly gated drum after which a sizzling synth bass comes into the song-with Jackson’s heavy keyed piano melody comes building into the arrangement. Layers of piano parts plus bursts of organ play a major part of the refrain. The intro represents the instrumental approach of the chorus. The bridge of the song features the piano melody with a sustained organ and high pitched bells as accents. An extended chorus fades the song out.
“Steppin’ Out” is a song that defined much of my radio listening with family as a child. They even had the 45 of it. Over 35 years after it first came out, its got a combination of sounds I haven’t yet heard in other music since. Let alone an early 80’s pop hit. The basic rhythm of the song is a punky, new wave rock style kickoff. So is Jackson’s vocal style. At the same time, his approach to piano and the harmonic chordal changes come out earlier American jazz inspired song writers. Plus the fact it uses more organ than any pop song of the time. Its…new wave jazz sound makes a distinctive and continually enduring song.

 

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