Tag Archives: Marvin Isley

Go For Your Guns: 40 Years Of A Funky Voyage To Atlantis With The Isley Brothers

Go For Your Guns

Go For Your Guns is an album whose 40th anniversary occurred over a month ago. And it was something that pretty much demanded to be over viewed here. My interest in the Isley’s 70’s music flowed from Rickey Vincent’s book on funk during that time. He referred to them as the epitome of funky manhood-with Chaka Khan as the female equivalent of the time. How I ended up with a CD of  Go For Your Guns is a story in and of itself. And has a good deal to do with my great appreciation of this album over the years. Its actually included in my Amazon.com review I’ll include here.


Normally I tend not to do this. But there’s a personal connection with this album in my own life surrounding this album. During the Ice Storm of 1998,power was half out and everyone everywhere in the state of Maine was snowed in and/or iced in. It was an uncomfortably claustrophobic environment. The second day out,the driveway was cleared out just enough so people could get in and out of it. So we all ended up taking a drive to the nearby Borders Books & Music where,in their music section,they’d actually open and re-package a brand new CD if you wanted to listen to it.

I was in the R&B/soul section,where I always went first and say this album. I’d never heard any 70’s era Isley Brothers. Read about them during that period in Ricky Vincent’s Funk: The Music, The People, and The Rhythm of The One but had only heard them at that time via their newest album at the time Mission to Please. So I listened to the album and,since the price was exactly right for me that’s what I took home that night. I put my headphones on and listened. Listened in a context of great risk that the power might go out again and the family would swing into instant emergency mode. That didn’t happen. Yet this album made me feel very confident that better things were coming. Now,I’ll tell you why.

“Pride” starts the album out with some high octane wah wah and electric piano as Ron declares “when you finally break it on down/it’s your pride”-the Isley’s crowning manifesto of masculine consciousness that I think of as their most self defining funk jam of that era. With it’s creamily textured guitar and keyboard lines,the complicated melodic exchanges of the ballad type funk in “Footsteps In The Dark” evoke the lyrical imagery of a mature yet tentative romantic relationship with an uncertain future.

Chris Jasper’s pulsing synthesizer seems to call out from both above and below the spongy and melodic funk of “Tell Me That You Need It Again”-with Ron’s strong minded seduction oozing out of both the music and lyrics as well as the Isley’s ever did during this era. “Climbin’ Up The Ladder” goes right for the jugular of Ernie Isley’s guitar for a furious rocker with a clean,tight bluesy melody-again with Ron in his powerfully growling lower vocal range.

“Voyage To Atlantic” is a slower rocker focusing on an elaborate romantic fantasy. “Livin’ In The Life” and the instrumental companion title song are some of the most flat out amazing music the Isley Brothers ever made. It is the probably the most effective heavy metal funk ever made. The groove is solid and tight. Yet the synthesizers and Ernie’s guitar on the title song assault the music with a heavy biting steel. So the song accomplishes everything by embodying both funk’s instrumental cleanliness and rock’s instrumental passion.

Overall the one quality that defines this album is complete and utter confidence. It isn’t all necessarily testosterone fueled male ego by any means. Ron Isley goes out of his way to try to bring the feminine characters in this song to understand where he’s coming from-tending to respect their intelligence rather than demean them. More over however,on both an instrumental and vocal level,this album comes at the listener with the fervor of a sociopolitical musical preacher.

Some of the messages are non specific enough to be appealing to just about everybody,but the message is that love of the world begins with self confidence you can bring out in others. And the Isley’s all had plenty of reason to be confident with this album. As the 70’s wore on they gained progressively more and more control over every aspect of their music-from writing,producing and arrangement. Of course it wouldn’t be long after this that this would turn into some ugly ego regarding the generational differences of how the two sets of brothers conducted creative matters.

I do think that the strong level of confidence this album projects gives the listener the most positive overall view of the funk era. It certainly affirmed my appreciation of the music during a tense time for those around me even. And even at times when my confidence in funk itself was swayed for whatever reason? This album reminded me of what I loved about the music that no one could ever mistaken the sentiments of. So in that context along with the high quality music,this is one of a handful of funk albums I recommend as downright essential.


Go For Your Guns is album that hit me the moment I heard it,had the same effect when writing this review and its likely it always will. The Isley Brothers,especially during the 3+3 era combining the two generations of brothers in the family,dominated their funk in the recording studio much the same way they dominated the stage when performing live. Their music and persona was always a smoldering,passionately poetic funky fire that burns very strongly on every song on this album. Encourage all of you reading this who haven’t yet heard the album to check it out. You might just have a similar reaction.

 

 

 

 

 

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Anatomy of THE Groove: “Inside You” by The Isley Brothers

The Isley Brothers were best described by Rickey Vincent in his 1996 guidebook Funk: The Music,The People And The Rhythm Of The One as being the embodiment of funky manhood. Everything from their musical rodeo image to the intense power of their sound. Throughout the 70’s and into the 80’s,they were unique among funk bands as having come out of a R&B era vocal trio into the funk era. Their 3+3 era line up kept their hard driving,uptempo sound updated throughout their years together. And were capable of utilizing the new instrumental form to fashion sexy,thickly rhythmic ballads.

During the first year and a half of the 80’s,the Isley’s were actually very successful as album artists. The R&B community and record charts never stopped viewing them as straight up musical icons. In the pop world however even their hard rocking,often guitar shredding funk grooves were having trouble landing them any major singles. In 1981,this all changed because of an album that…I found a beat up$1.99 vinyl copy of in a record store about 20 years ago. It even got to be a Soul Train line dance song too. The name of this song and it’s accompanying album was “Inside You”.

The drums come at you with a pounding 4/4 beat from Everett Collins-surrounded by the percussion of the Isley’s , the conga drums of Kevin Jones and Marvin Isley’s thundering bass. All showcasing Ernie Isley strumming on liquid rhythm guitar. A string section dart into the mix with  brittle precision similar to Chic. They sustain themselves behind Ron’s first and second vocal refrain-the latter of which takes the song into a melodic major chord. The bridge reduces the song to it’s string/ rhythm guitar/synth bass pulse before the Isley’s back up Ron’s leads with some powerful gospel harmonies to the fade out.

One of the understandings that came from this song for me is that it really added a new rhythmic element to the 3+3 Isley Brothers sound. During the late 70’s,the disco era found Afro-Latin percussion becoming more prominent in dance music such as that of Barry White and Michael Jackson songs such as “Don’t Stop ‘Til You Get Enough”. The Isley’s had primarily utilized basic rock and funk oriented back beats at that time. As the 80’s sound settled in,I find it interesting that the Isley Brothers began integrating that Afro-Latin rhythm so heavily into their steely funk/rock sound.

 

 

 

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Filed under 1980's, Afro-Cuban rhythm, Chris Jasper, drums, Ernie Isley, Everett Collins, Funk, Isley Brothers, Kevin Jones, Marvin Isley, percussion, rhythm guitar, Ron Isley, strings, synth bass

Anatomy of THE Groove: “Livin’ In The Life” by the Isley Brothers

The Isley Brothers embody a very special quality for me. They have and continued to function positively as a bi-generational family soul/funk group. Due to changes in music from the 50’s to the 70’s,this quality didn’t always make for personal harmony between the elder and younger sets of Isley brothers. But it did make for some amazing hybrids of soulful harmonies,rocking solos and funky rhythms during their 70’s period. By the time of the bands 1977 release Go For Your Guns,Ron Isley’s focus was geared more towards singing the groups ballad material. As for younger members Ernie Isley and cousin Chris Jasper,they continued to innovate the bands funk/rock hybrid as time marched along.

The last two tracks on the Go For Your Guns album were somewhat companion pieces. The first was called “Livin’ In The Life”. It featured Ron Isley on lead vocals-singing in the lower end of his range. The last song on the album was the instrumental title track of the album. This featured the guitar solo of Ernie Isley. Ernie was the composer of both tracks and played drums on each of them as well. The song was actually a huge success for them as a top 10 R&B hit and landing directly into the pop Top 40. When I first heard this song during the frightening Maine ice storm of 1998,it made a huge impact on me across a number of levels. And it’s an Isley’s song I’ve always wanted to break down musically.

The groove gets going with Chris Jasper playing a brittle guitar like riff on his ARP synthesizer-multi tracking with himself on the first couple chords while Ernie’s drumming clips along at 125-130 BPM. After a brief three beat hi hat call off,the clapping snare drums kick into gear along with Ron Isley’s lead vocals and Marvin bass line,which functions in an equally brittle manner to the lead synthesizer riff. On the gospel powered melody of the chorus,Jasper’s synth solo becomes more solid and orchestral before going back to main them of the song. As the song fades out,Jasper adds deeply bassy bursts of synth along with Marvin’s line adding that abruptly closes out the song.

Even 18 years after first hearing it,there’s no denying the power of this song on this end. In terms of composition,it takes the bluesy refrains and testifying gospel soul choruses and amps it all up. The echo plex and heavy steeliness of the production gives this the 70’s arena rock equivalent to what Rick James would soon be doing with his “punk funk” sound. In a lot of ways,this finds the Isley Brothers pretty much perfecting their funk/rock hybrid. The reason for that is finding where the blues can intersect those two rhythmic ideas. And that makes Ron’s assertive,empowering lyrics all the more appropriate to Ernie’s hard driving instrumentation and production.

 

 

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Filed under 1970's, ARP synthesizer, Chris Jasper, drums, Ernie Isley, Funk Bass, Isley Brothers, Marvin Isley, Ron Isley, Uncategorized