Tag Archives: Miguel

Harriet Brown Does “Prince Weird” Right

brown

Is there any other musical influence as pervasive, yet elusive as Prince? Practically everyone in the contemporary pop landscape is influenced by him on some level–from Bruno Mars to Beyoncé to Young Thug–yet hardly anyone is able to capture what really made him great. D’Angelo has some of his electrifying stage presence; Miguel channels a bit of his sex appeal (albeit in watered-down, heteronormative form); DāM-FunK evokes his studio wizardry and occasional cantankerousness; but none of these are adequate replacements–nor would any of them claim to be.

Especially inimitable, and especially missed, is Prince’s weirdness. While the aforementioned Bruno Mars can do a serviceable enough version of “Let’s Go Crazy” at the Grammys, it’s hard to imagine him plumbing the psychosexual depths of a “Shockadelica,” let alone an “If I Was Your Girlfriend.” It’s that ineffably eccentric quality that sets Prince apart from his imitators: most of whom, quite frankly, know better than to even try.

To be clear, I’m not trying to set up an argument for Inglewood-via-Bay Area artist Harriet Brown as the one true inheritor of “Prince weird”; that would be hyperbole in the extreme. But of the legion of contemporary artists whose music echoes the Purple One’s, Brown is the one who seems to get “it” most. Just listen to the digitally-manipulated voices he puts on in the intro of his recent album, Contact, shifting from “Bob George” low to “Camille” high; or the way his elastic falsetto bends almost comically on the line “sometimes I think I’m an alien on your planet” from “ESP.”  Or hell, just look at the guy: that exaggerated bowl cut, like an Akira character come to life, with an inscrutable, gender-bending stage name that doesn’t seem to have any real-world frame of reference (unless he’s just a really big fan of the author of Brave Girl Eating). “I like people not exactly knowing everything going on with me,” Brown told the LA Weekly in a profile last month–an awfully Princely statement if ever there was one.

But I also don’t want to give the impression that Brown is just an imitator; his sound certainly channels Prince, but it doesn’t sound like an ’80s throwback. If anything, he sounds a bit like if Prince had evolved more gracefully into the ’90s and 2000s, subtly incorporating the influences of hip- and trip-hop into his sound rather than clumsily attempting to appropriate them. In other words, Contact is forward-looking, 21st-century music: music that builds on the past as a foundation, rather than trying to retreat into it. And that may be the best credit to Prince’s legacy of all.

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Filed under 2010's, 2017, Prince

Albums Matter: Andre’s List Of The Top Funky Full Length Albums Of From The Past Five Years

Prince At the grammys

The 57th annual Grammy Award ceremony’s this past Sunday seemed to have surprised everyone. Many performances had a far more serious, even evangelical tone with references to domestic violence and the revived understanding of racism bought on by the police violence of 2014. Maturity and growth were very heavily emphasized on every level-performance and presentation wise. It was Prince,who just released two albums at the end of the last year,who got everyone’s attention-with the words printed above spoken as he presented the Grammy for the best album of 2014.

Prince’s words are what moved me to pick this particular topic for this weeks blog. One very important musical factor shared with my blogging partner Rique is our appreciation and advocacy for the full length album as an important artistic format in terms of how the music we love and are socially moved by is presented. To have someone with as rich a musical history as Prince bring this up at a major award ceremony confirmed the 2010’s have been all about the revival of the album as a driving force in the funk/soul/jazz/R&B spectrum in particular. So here’s my list,year by year of the music on that particular playing field that’s deeply effected my listening.

2010

Erykah Badu Return Of The Ankh

Erykah Badu is always one to throw the unexpected into her grooves. Here her thick,burbling jams blend into songs that are not only a cohesive statement but when sampling is used? They are of things like Paul McCartney album tracks of AOR oriented fusion artists such as David Sancious or Roy Ayers’ Sylvia Striplin. A wondrously sexy celebration of the funk album.

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Janelle Monae here was a key figure in the focus of both my music related blogs with her multi-genre embrace of the Afro Futurist ethic. This album was and is a true game changer in that regard.

John Legend Wake Up!

With both artists always edging just on the border of funk with their own respective releases? The groove burst out completely and with a total fluidity for John Legend and his backing band The Roots-including drummer/producer ?ueslove, for this (so far) one time musical collaboration.

2011

Beyonce 4

Known more for being innovative in terms of single songs,Beyonce’s fourth solo album gained a complete full length flow with a much more mature sound. Including the very polished Quincy Jones/Westlake style production of “Love On Top”.

Lenny Kravitz

Lenny Kravitz always had loads of funk in him. Here and there. Took him a long time before he fully identified with that funkier instrumental groove. And did so on one of his most thorough musical statements to date.

2012

Chris Brown Fortune

With contemporary electronic pop/hip-hop/dance music usually having enough energy to stretch only across a few songs? Chris Brown,during a less than satisfactory period for him personally no less,managed to take the contemporary musical end of his genre and stretch it out successfully longer than I’ve heard most do such a thing in some time.

Antibalas

This explosively percussion Afro-Funk group recording for Daptone were so connected to the original Afrocentric  pulse that spawned the original funk process groups such as Santana,Mandrill and War that following this album they became the backing band for the Broadway musical Fela! A rebirth of full length poly-rhythm at it’s finest!

Kaleidoscope Dream

Psychedelic,meditative and non traditionally structured sophomore release from new comer Miguel.

Victor Wooten

Bassist Victor Wooten saw such depth in this material that he released it both as a vocal and instrumental piece. Very original musical presentation at this time.

Macy Gray Talking Book

Macy Gray bought out her inner Sly Stone for this literal celebration of the album-re-making every song in original order from Stevie Wonder’s 1972 breakthrough album Talking Book on it’s 40th anniversary.

Talented bassist/singer Esperanza Spalding brings out the sprawling mid 70’s jazz/funk vibe for what is probably her most defining album as of yet.

Radio Music Society

Electronica meets boogie funk from a very interesting source blending a hard grooving as well as an ethereal quality.

2013

Toro Y Moi

Potent mix of electronica and boogie/synth funk.

Jyoti

Very bold sound from Georgia Anne Muldrow that embraces dramatic jazz/funk with a boom rap approach to production.

Trombone Shorty

Crescent City native Trombone Shorty presents the instrumental style of horn funk as a genre of sorts all it’s own,with many different tributaries,on this one album.

Apocalypse

Flying Lotus bassist Thundercat brings a huge,cinematic approach to psychedelic jazz-funk.

20 20 Experience

The first of two Justin Timberlake comeback’s this year. Probably a huge re-awakening for the album length music format,complete with 7-8 minute jams,that bough extended soul/funk to the broader contemporary pop audience.

2014

Pharrell

Long time producer emerges as a fully complete solo artist-full of funkified rhythmic energy and shook the world up in a way no funky music has in over three decades with “Happy”.

Kelis-Food

Kelis returns with an album that takes a very JB like organic instrumental soul/funk turn.

Paula

Robin Thicke’s emotionally charged break up album is a full on raw, muscular funk/soul extravaganza

Plectrumelectrum

Prince and the female instrumental trio 3rdEyeGirl become part of the double edged album sword in his studio comeback. It showcases a multi hued psychedelic funk/rock sound where the whole is definitely more important than the sum of it’s parts.

Goapele-Strong-As-Glass

Oaklands own Goapele lends the funk of Pharrell Williams and flowing,piano based jazzy soul/pop on an album that celebrates the flow of musical depth,dignity and elegance.

Black Messiah

D’Angelo shakes the world up with an extremely funkified statement that is still,at the time of this writing,showing people that black lives (and black music) matter a great deal.

2015 (So Far)

Uptown Special

With the month of January often being a driftwood month for new music? Mark Ronson brings Bruno Mars,Mystikal and Stevie Wonder together for some serious,churning “uptown funk? of many colors!


There were honestly more albums than I could’ve seriously listed in this blog that also fit right into it. But these ones made the most important statements on their own terms perhaps. A single song will always say a great deal. But if one impulse or a series of musical/lyrical impulse can be expanded out in a way that expands the mind naturally through a powerfully grooving auditory experience? Than I saw so much the better. So let’s all have it for the musical impact of the album! It’s a key organ in the anatomy of the groove!

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Filed under Beyonce', D'Angelo, Erykah Badu, Esperanza Spalding, Goapele, Janelle Monae, John Legend, Justin Timerlake, Kelis, Lenny Kravitz, Macy Gray, Mark Ronson, Miguel, Pharrell Willaims, Prince, Robin Thicke, The Roots, Trombone Shorty