Tag Archives: Pharrell

Rique & Andre Proudly Present 2014: A Year In Funkativity For Andresmusictalk!

Andresmusictalk Year In Review 2014

 

Have to totally agree with my blog partner here Rique and fellow WordPress blogger The International Review Of Music that 2014 has been a tremendous all around year for funky music. And funky is Rique and my favorite kind of music from my understanding. And this year we’ve had that become popular on a massive level thanks to starting the year out grooving with Pharrell William’s “Happy”. This was a global phenomenon-with people all across the world doing their dance to the song on YouTube. For the first time in history,a number one funk song connected billions of people in the internet age. And that alone is no small feat. And one Pharrell should be proud of  for his entire life.

If “Happy” was standing by itself this year? That would have been wonderful. But it did so much more. Kelis and even 90’s quiet storm soul singer Joe released tremendously funky music this year! And massively welcomed comebacks from Prince,Funkadelic,War,D’Angelo and posthumously from the late Michael Jackson were also enormously successful events. In fact D’Angelo’s Black Messiah ended off the year with a major surprise release in the wake of the tragic and highly topical police shooting of Michael Brown in Ferguson Missouri. That album may have had to wait until 2015 to see the light if that dark day hadn’t have shinned the light on the need to talk,sing and play about it.

Since funk was the key to providing not only great music but positive and enriching messages this year? I wanted to conduct our first interactive blog here on Andresmusictalk. There have been many wonderful releases this year in the funky spectrum of sound. Hoping all of you have been enjoying them. So presented below is a list of key funk,jazz and soul related albums from 2014.  Inviting all of you to select which ones interested you most! Wishing everyone a new dance and new vitality of life for the year to come and enjoy the polling everyone! Thank you!

 

Hear Some Of The Best Music In The Soulful Spectrum Of 2014

2014 Remembered: A Year Of Funk-Written By The International Music Review

HAPPY FUNKING NEW YEAR TO ALL!!!!!

 

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Filed under 2014, Chromeo, D'Angelo, Disco, Funk, Funkadelic, Fusion, Harvey Mason, Jazz-Funk, Joe, Kelis, Late 70's Funk, Lenny Kravitz, Lisa Stansfield, Michael Jackson, Pharrell Willaims, Prince, Robin Thicke, Sharon Jones & The Dap Kings

Anatomy of THE Groove 9/19/14 Rique’s Pick: “Work it Out” by Beyonce

The Queen Bee’s solo debut, “Work it Out”, was a song for the soundtrack of the Austin Powers franchise’s ’70s film, “Austin Powers Goldmember.” On this funky delight, B performs somewhat in character, the movies heroine Foxxy Cleopatra, a Foxxy Brown/Cleopatra Jones mash up that represents the “bad ass soul sister” image of 1970s blaxploitation. But, I also suspect B’s alter ego “Sasha” was in the house as well with Pharrell Williams and Chad Hugo on the recording session for this one. “Work it Out” is brimming with soulful sexual confidence, with B telling her man, “we can’t wait for the bedroom, we just hit the floor.” I must admit, as a fledgling musican dying to drop the funk bomb, this joint had me kinda jelly in ’02. Skateboard P and Chad made some real true ’70s funk in 2002, and at the same time it was old school, it had the instrumental tone of the Neptunes space age funk as well.

“Work it Out” is an example of the Neptunes mastery at the song writing skill called “interpolation.” Of course, they’re being sued right now for doing the same thing on Robin Thicke’s “Blurred Lines.” When I heard this song, I knew it was an arch funky riff but I couldn’t figure out where I’d heard similar. It was something about the combination of the heavy bassline that leaves space enough for God to walk through it and the rhythmically active Clavinet part. It just hit me recently: “Work it Out” is an interpolation of Herbie Hancock’s 1973 version of his song “Watermelon Man” from the “Headhunters” LP. Just dig on “Watermelon Man’s” intro. Heavy bass hitting on the one, and then jumping into the upper registers after that opening statement, with the clavinet dancing over and through the holes the bass leaves. For this song though, Pharrell and Chad make the clavinet line a little bit more repetitive and simpler, cutting it down to a one bar pattern. Of course, the interpolation is interesting because “Watermelon Man” in it’s Headhunters version was also a cut MC’s loved to rhyme over in the ’90s.

The Neptunes borrow that basic funky motif, just as a funk band would, and lay a unique track for B to show her ass performance wise over. The drum track is very heavy on snare drum, like a New Orleans beat, with very little kick drum, the kicks only thump on the upbeat leading into beat one and on beat one. On the chourus of “Work it Out”, a sax riffs behind B, which I thought was a corny synth sax sound at first but I can stomach more now. When B says, “Chad blow your horn now”, we get a taste of baritone sax, which gives the piece a James Brown vibe, reminiscent of the James Brown Orchestra (not the J.B’s), when the Baritone sax added to the bottom of the music.

B takes this funky track and goes off, singing super soulful melismas, and adding all kinds of soul ad libs, like “looka here.” At one point she says, “Now that you’ve given me a taste of your honey/I want the whole beehive.” Which might be interesting to her similarly named fans. B’s vocal performance though, is magic, confident, sexy, powerful, soulful and funky. The video is also an orgy of groovy ’70s funk band aesthetics, rivaled in that time period maybe only by Cee Lo’s unheralded classic, “Closet Freak.” Beyonce began her solo career with a bang, deep in Neptunes assisted, Herbie Hancock and James Brown derived funk, channeling strong women like Tina Turner and Aretha Franklin and strong men like James Brown. And therein lies my admiration for B, her ability to dominate on funky groove tunes while the whole world thinks R&B is simply about slow love songs. Of course, this is an avenue I’d love to see her pursue more, let Sasha out girl! Now that some 12 years have passed I have to go back on my earlier resistence to this as light funk and put it up there on the one where it belongs. And also, with the time period of Virgo drawing near its end, I have to send a big shot out to the one thing I always dug about the video, namely, the word “Virgo” written across the back of B’s low ride Jeans and her hula hooping. Whew…. we gonna work it out indeed!

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Filed under 1970's, Beyonce', Blogging, Destiny's Child, Funk, Funk Bass, Herbie Hancock, Hip-Hop, Pharrell Willaims