Tag Archives: pop rock

Chaos & Disorder At 20: Prince Righting The Wrong

Chaos & Disorder

Chaos And Disorder is a Prince album born out of frustration. Feeling stifled despite the creative freedoms the Warner Bros label had given him over the year,the transition from Prince to his O(+> identity has him controversially writing ‘slave” across his right cheek in black makeup pen.  He also released a series of albums on his own and leading the New Power Generation whose lyrics functioned as angry tirades at his own label-including this one. Of course since the mid 1990’s was a very angry period in popular music anyhow,it all mirrored the times too. Yet on a strictly musical level,O(+> was having other ideas.

It’s hard to believe it was 20 years ago today that Chaos And Disorder hit the record stores. Personally,I remember it being a bit of an afterthought in record stores. Not prioritized in terms of promotion,and getting mixed reviews. Upon first listening to it upon picking up a cassette of it a few years later,I kind of liked it. The first five songs are very catchy and instrumentally dense rockers with a pop twist,while the last half of the album were hyperactive funk/rock fusions mixed with psychedelic style ballads. Several years ago,I got a hold of a the CD pre-owned. And started listening to it a bit more often.

Looking at it more recently,it could be described at representing for Prince in the mid 90’s what Around The World In A Day represented for him in the mid 80’s. Prince & The NPG’s first albums of the 90’s were generally hip-hop and techno house based. So on Chaos And Disorder,Prince returned under his then new name with an album that got back strong into his hard funk and catchy pop/rock roots. Only again,the thematic mood was on the dark side. I wrote an Amazon.com review almost a decade about the album. This goes into this album song by song a bit more. So enjoy this part of my breakdown of Chaos And Disorder:


It wasn’t long after Prince exited Warner Bros,changed his name to O(-> and released     The Gold Experience did he begin to collect some of his “private music vault” for this album in 1996.Considering how well the same idea worked 15 years earlier with Dirty Mind he didn’t see how it wouldn’t work on ‘Chaos And Disorder’, and musically it did. Both albums have the one similarity of being Prince’s more rock oriented music. Prince’s style on the rock guitar is showcased throughout the uptempo songs on this album.The title track,”I Like It There”,”Into The Light” and “I Will” are extraordinary rockers.

For those who enjoy more pop/rock the easy going “Dinner With Delores”,with it’s 70’s soft rock feel will fit the bill nicely and it is actually one of his best songs of the period. The loud blues rock of “Zannalee” is not exactly typical of Prince but it challenges him as a musician.Don’t think that just because this is often hyped as Prince “rock” album (which in many ways it is) Prince is his always eclectic self on the zesty funk-rock hybrids of “Right The Wrong”,”I Rock Therefore I Am” and “Dig You Better Dead”-all three of which are also some of his strongest songs.

‘Chaos And Disorder’ is Prince’s final “official” Warner Bros. album and presents some his most direct songs;most of these tunes are less then 3 and 4 minutes and have a very refreshing directness.One thing that anyone considering purchasing this should know is this was released during a very trying time for Prince-he was fighting with Warners,had the “SLAVE” tattoo on his face and the lyrics here are filled with a lot of bitterness and edginess.As with many of Prince’s mid 1990’s music it will certainly get your attention.But even I found myself revisiting it after all these years of thinking of this as one of Prince’s weakest albums and maybe more people should do that.


Unsure if Prince ever conceptualized it,but the music on Chaos And Disorder  is of a sort that could function very well as a live performance setup-with different costumes and sets. Despite the music’s theatrical potential,Prince never toured for this album. Maybe that was a good thing in hindsight because Prince’s studio albums always created their own type of theatrical (and mostly extremely funkified) musical world. As controversial as Prince’s stance on his rights as an artist during the 1990’s was,Chaos And Disorder might very well be the best examples of how that era translated onto an album for him.

 

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Filed under 1990s, funk rock, Minneapolis, Minneapolis Sound, New Powe Generation, O(+>, pop rock, Prince, Psychedelia, rock guitar, The Artist Formerly Known As Prince, Warner Bros.

Paul McCartney: The Cute Beatle With A Bag Of Many Grooves

Paul McCartney

People have had discussions about who their favorite Beatle was. Each had their own distinct creative personality that made them work so well together. Yet if someone asked me which former Beatle appealed to me most musically,it would be Paul McCartney. As a composer/singer/multi instrumentalist,Sir Paul is possessed of the same multi faceted creativity of people such as Todd Rundgren and the late Prince Rogers Nelson-worthy of their mutual Gemini stars. He has his own distinctive approach to melody and groove-extending across hard rockers,easy going pop ballads as well as his most soulful side.

That soulful side of McCartney is what I’d like to talk about today. One of the key factors of him in general is how well he understands the importance of groups to his music. Between The Beatles and his second band Wings, McCartney always realized what other musicians from John Lennon to Denny Laine could offer him instrumentally than if  he just played everything. Between arranging horns and working with musicians such as fellow bassist Stanley Clarke,Stevie Wonder, Michael Jackson and the Average White Band’s Hamish Stuart, here are some of my favorite of the soulful,funkier songs from Paul McCartney.


“She’s My Baby”/1976

On the album Wings At The Speed Of Sound,the members of Wings all contributed their songs to the mix. This had mixed results,but one of my favorite contributions from McCartney himself was the stripped down melodic funk of “She’s My Baby”. Especially with it’s somewhat jazzy Fender Rhodes electric piano solos.

“Arrow Through Me”/1979

This dramatic blend of reggae rhythms and West Coast style jazz/funk was the song that caught my attention most. From the reverbed snare drum traps to the processed electric piano,it’s no wonder that this imaginative and melodic groove became the basis for Erykah Badu’s “Gone Baby Don’t Be Long” over three decades later.

“Coming Up”/1980

McCartney played everything again on this song,while channeling his inner James Brown. In this case,turning his one man band (including his chicken scratch guitar) into a drum. Not to mention having one of the snappiest melodies of McCartney’s career to boot.

“Secret Friend”/1980

This is another very early 80’s song from McCartney’s second proper solo album that truly blew my mind. It’s a technological carnival of Brazilian percussion,funky bass/guitar interactions and a very psychedelic East Indian type melody. And keeps it all going for well over ten minutes as well.

“What’s That Your Doing”/1982

Instrumentally speaking,this thickly bassy and percussive hard funk jam seems to be more the work McCartney’s duet partner on this song Stevie Wonder. But it leaves plenty of room for McCartney’s bass and guitar abstractions. Especially when the chorus of his Beatles classic “She Loves You” appears on the extended outro. My absolute favorite song from the McCartney/Wonder collaboration.

“Dress Me Up As A Robber”/1982

A superbly composed piece of Brazilian jazz/funk from Paul on his 1982 album Tug Of War. The rhythm guitar and synth bass are some of the hottest McCartney had done up to this point. Especially on the breakdown on the bridge of the song that reminds me Gap Band songs from that same period.

“Hey Hey”/1983

Stanley Clarke’s early 80’s collaboration with Paul McCartney continues on this expansively melodic jazz fusion instrumental from McCartney’s underrated 1983 album Pipes Of Peace. It starts out as a kinetic Afro-rocker almost,then mellows into a jazzy reverb laden keyboard and bass driven bridge. One of my favorite instrumentals from McCartney.

“Tug Of Peace”/1983

McCartney pulls out a full blown electro Afro funk percussion extravaganza on this song. Structurally,it’s a lyrical reboot of the title ballad of his previous album “Tug Of War”. But the feeling is much more revved up rhythmically-almost as if to say that peace is a source of joy while war slows you down. And this is all aside from McCartney delivering one of the finest bass like low rhythmic guitars of his career.


Discussing the music of Paul McCartney in a soul,funk and even jazz context might seem atypical. But it really isn’t when one considers the way in which musicians intermingle. In Liverpool,most of McCartney’s musical acquaintances were playing the same type of music basically. He the man traveled the world and gained more experience,the newer musicians he became associated with continued to expand his stylistic and rhythmic repertoire beyond even where the Beatles had take their music. And it’s his creative flexibility that is the core of the man whose turning 74 today.

 

 

 

 

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Filed under 1970's, 1980's, bass guitar, chicken scratch guitar, Fender Rhodes, Funk Bass, funk rock, jazz funk, Paul McCartney, pop rock, rhythm guitar, Stanley Clarke, Stevie Wonder, Wings