From his early years performing Anthony Newley style show tunes about laughing gnomes up through his persona as Ziggy Stardust? David Jones (better known by his stage name of Bowie) celebrated an embrace of musical and thematic eclecticism. Rock played a big part in it. But he also drew a good dose of inspiration from the rhythmic timing of funk and soul. After his most iconic years as the glam rock icon of Ziggy and the related character Aladdin Sane? Bowie began sporting white soul boy suits,slicked back hair and focusing on that soulful end of his sound.
It got going for Bowie in 1974 when his Diamond Dogs album came out-it’s Isaac Hayes inspired song”1984″ drawing him to a new group of session musicians and singers than the Spiders From Mars. In addition to the presence of David Sanborn and Luther Vandross,t he main drive behind this change was Puerto Rican guitarist Carlos Alomar. As a composer and arranger? He really understood how to rock up the funk. This led to the final number on Bowie’s soul oriented Young Americans album of 1975 ending with a collaboration with John Lennon entitled “Fame”.
An ascending backwards guitar opens the song into a more reverbed one. A brushing drum roll and acoustic guitar introduces the the slow grooving funky drummer that’s accompanied by three different guitar riffs-each playing off the one another. One is a low liquid one providing the bass line, the other is a more popping one of the same tone while each instrumental refrain is accented by a ringing high rhythm guitar. Bowie and Lennon’s vocals,both in their lower and high ranges,duet in near incoherence until descending into a chant of the song title at the end.
Together,Bowie and Alomar’s sound on this song heavily channels James Brown’s variety of funk. Everything about this song, itself built around layers of bass toned and higher pitched guitar, is entire built on Brown’s understanding of all the instrumentation being “on the one” with rhythm. Melody,harmony and all. The interesting this is? Brown himself was in turn inspired to work his own song “Hot (I Need To Be Love)” directly out of this groove the following year. So along with being a huge hit for Bowie, it’s an example of the cross pollination of funk in it’s prime.
Filed under 1975, Carlos Alomar, David Bowie, Funk, funk guitar, funk/rock, glam rock, James Brown, John Lennon, rock 'n' roll, rock guitar, Uncategorized
I would like to welcome everyone to Andresmusictalk,my newest blog here on WordPress. This blog is going to serve as a collaborative effort between myself and Henrique Hopkins-a main inspiration for creating my first blog here The Rhythmic Nucleus. For those of you who familiar with that blog,it was primarily focused on funk music and its many tributaries. Since of course my own personal musical pallet of interests is very eclectic,the topics on that blog began to drift into different musical territories.
The purpose of this blog is to expand the level of dialog regarding the full spectrum of music. Regarding its history,creation,generational potency and anything else of interest in that regard. Just about every musical form on Earth bleeds into each other over time. The “rhythmic nucleus” of it all likely began in Africa. But it has spread across the world over millennium after millennium in a symphonic gumbo-with each subculture of humanity making wonderful new contributions as it goes. If that sounds like a big deal,it is. And music grows into even more of a big deal as time progresses.
The levels of experience and perceptions of music between Henrique and myself have many similarities. Yet our environments have shaped them in very different ways between us. This will be an important element in our two literary styles that will be presented here. And to paraphrase one of Henrique’s own quotations,this will also serve as a possible springboard for broader articles that might one day find they’re way into the realm of professional publication. So as the two of us continue to grow as human beings,so will go the breadth and scope of our writing here.
On some occasions,I would like to see the two of us engage in call and response type writing-wherein myself or Henrique create a blog post here in direct response to the others. Not only would that reflect the spirit of the soul/funk music we love,but help us grow as writers and continue that educational experience. In this age where the “less is more” adage has perhaps been too readily applied to human conversation,it is actually in our dialog that we learn most from. And the best forum to give and receive our knowledge. So enjoy what is to come! Many exciting things to read,see and hear await you!
Filed under Africa, Blogging, Dialog, Earth, Funk, Humanity, Literacy, Music, Rhythm, Soul, Time