Weather Report are probably the first jazz fusion band I ever knew. Each lineup of the band, of course the first official spin off from Miles Davis’s electric period, became musical superstars in their own right. Of course the most famous was the 1978 through 1982 lineup featuring,along with its founding members,drummer Peter Erksine and the incomparable kind of fretless fusion bass Jaco Pastorius. Erksine,a New Jersey born drummer,played with a diverse array of artists. Ranging from his beginnings with Stan Kenton all the way to later collaborations with Kate Bush and even Queen Latifah.
Erkine’s final album with Weather Report was actually a second self titled album, released in 1982. It was the final album for Jaco Pastorius as well. This is one of the Weather Report albums I admit to not continuously exploring as much as it deserves to be explored. But in looking for a song where the traditionally collaborative composing process of Weather Report included Erksine in a greater capacity,this album seems to have closed with such a song. One that just revealed its strength to my ears upon reviewing it for this overview. Its entitled “Dara Factor One”.
Robert Thomas Jr’s percussion and Erksine’s drums start off the song with a deeply funky Afro-Brazilian groove. Joe Zawinul then comes in playing his many layers of synthesizer voices. The first are on the low end of sound, and gradually higher pitched tones come into the mix playing synth horn and string/orchestral charts. Thomas’s percussion rings right along. Jaco’s bass starts out basically hugging tight to Erksine’s drums and Shorter’s sax. By the final parts of the song, he’s at his flamboyant and technically brilliant best circling all around Zawinul’s synthesizers until the song fades itself out.
“Dara Factor One” is one of Weather Reports “moments” of the early 80’s. Each period of their creativity had its own contained brilliance. They also had individual moments that stood out as flat out defining-either for a given musician or the genre itself. This is one of those musician defining songs. Its Brazilian funk/world fusion approach is a truly democratic musical collaboration. Everyone is playing together without grabbing at time to shine as soloists. And all the melodies from Zawinul and Shorter are very vocal-singing away to the dancing rhythm of a very human type of funky Afro-fusion jam!