Reggie Lucas is one of those names who appears on the credits of many albums. In all my years of crate digging, I’d grab just about any album which credited him. Didn’t matter if it was on guitar, as a producer or not. Lucas’s lineage was strong as iron. Born in Queens, the man got his start playing within the Philly soul community as a session musician with MFSB and as a live musician with Billy Paul. In 1972, he began his professional association with Miles Davis, where he met percussionist James Mtume. Together they put together a new band named after James’ taken surname.
Mtume started out as an avant garde jazz outfit with electric elements, very much inspired by Miles’ loose grooves of his mid 70’s period. The band added singer Tawatha Agee in 1978 and released Kiss The World Goodbye. This version of Mtume was a full funk/soul elements. Lucas also began production work during the late 70’s. He began and association with both Phyllis Hyman and Stephanie Mills that would last several years and albums. He also produced jazz sax player Gary Bartz during his own transition to a funkier sound.
Lucas’s biggest success as a member of Mtume was with their 1983 hit “Juicy Fruit”, a sexually spicy electro funk jam that inspired an equally famous hip-hop reboot called “Juicy” by Notorious B.I.G, who also sampled the original hit in his song. During that same year, Lucas provided production on the then little known singer/dancer Madonna Ciccone on her debut album. His LINN drum and guitar work, including Lucas’s own composition “Borderline”, would find him part of the musical team that launched one of the 20th centuries major dance music superstars.
Looking back on his accomplishments today? Reggie Lucas served a similar function on guitar as Marcus Miller did as a bassist. He came to fame as a musician working with Miles Davis. And went onto become a session player for a number of soul and pop artists-many of whom themselves became iconic. Lucas may have passed away on my 38th birthday. But in the end, Lucas was another major seed that Miles planted into the tapestry of black American music during the electric jazz and funk/soul/disco era’s. To me, this will be what I’ll always think about when contemplating Lucas’s creative arc.