Category Archives: Kyle Jason

Anatomy of THE Groove: “Say It Loud,I’m Black And I’m Proud” by Chuck D and Kyle ICE Jason

Carlton Douglas Ridenhour,better known as Public Enemy’s main emcee Chuck D,has long been part of my collective consciousness. Suppose it started when a friend my father’s came him his cassette copy of PE’s It Takes A Nation Of Millions To Hold Us Back. It wasn’t something I was encouraged to listen to at 9 years old. But a little over a decade later,I checked it out on CD myself. And onward through my conversations with this blogs co-founder and friend Henrique Hopkins,Public Enemy/Chuck D have been a consistent conversational fixture in terms of hip-hop keeping the funk alive and kicking.

During Public Enemy’s nearly 30 years of existence,Chuck D has only recorded two proper solo albums. He’s preferred to focus his energies as an individual on activism and public lecturing about important matters effecting the black American community. So its been good to have PE be his chief musical focus for that message,while he does more physical work through his political activism. Having based his entire musical career on his deep love of James Brown’s funk in particular,its more than fitting that one of the songs on his second solo album The Black In Man from 2014 is a version of JB’s “Say It Loud”.

For the most part,the song is built on Chuck’s live band playing the song very close to the way James Brown and the JB’s had done it. The drums and horns start out the song before the bass/guitar interaction comes in. The chicken scratch guitar on this version is not mixed quite as high as Jimmy Nolan’s was on the original. But the round bass line is left almost completely intact. Chuck adds some more rap style vocal accents and meter to his vocal. On the bridge however,some heavy scratching changes over to Kyle Jason’s conscious rap that goes right with the theme of the song before it comes to an abrupt stop.

One of the themes of Chuck D’s music throughout his career has been the kind of thematic power different songs can have. He has often stated this about his critiques on hip-hop-that while some of the more commercially successfully music of the genre has importance as aural escapism,its vital that the potential for hip-hop to transmit positive messages of self improvement to black America needs to be better realized. In doing “Say It Loud”,Chuck brings out that the original song actually WAS hip-hop along with that message-with it’s rhythmically rapped lyrics and message. So it works on both levels.

 

Leave a comment

Filed under 2014, black power, chicken scratch guitar, Chuck D, conscious rap, drums, Funk Bass, hip-hop funk, horns, James Brown, Kyle Jason, Public Enemy, rap, scratching