Category Archives: Robin Thicke

Anatomy of THE Groove: “Blurred Lines” by Robin Thicke,Pharrell Williams & T.I.

Robin Thicke’s musical star has always shined a lot of classic soul links onto the pop charts during the new millennium. First saw the white suited Thicke on late night TV during the early autumn of 2002 performing the song “I’m ‘A Be Alright”. As time marched on and I began to explore his subsequent album,a wonderful creative evolution unfolded from him. He started out doing a lot of heavy retro styled funk and soul,with some contemporary alternative touches. As the aughts transitioned into the 2010’s,his sound began to include more contemporary hip-hop/R&B elements such as guest rappers and cut up rhythm break samples.

In 2006 Thicke’s sophomore album The Evolution Of Robin Thicke began his relationship with Pharrell Williams as producer and collaborator. He had signed to the Star Track record label,originally founded by The Neptunes-themselves consisting of Pharrell and Chad Hugo. Thicke’s sound continued to evolve it’s mixture of phat grooves and melodies over the course of his next four albums in as many years. In 2013 Pharrell found himself on a commercial role with Daft Punk and Nile Rodgers for “Get Lucky”-helping to bring instrumentally strong funky disco-dance music strongly into the public eye. And that roll continued with the title song to Thicke’s album that year called “Blurred Lines”.

The song begins as many of Pharrell’s songs do-with a re-sampled electric piano playing a three hit horn chart. That Rhodes (or Rhodes-like) solo serves as the songs bass line. The instrumental end of the rhythm of this song is basically a clanking,rolling percussion. It’s serves to accent in,on and around a shuffling drum part. The vocal call and responses from Thicke and Pharrell provide as much rhythmic content in this song as it does melodic. Especially as they talk sing in equal measure to vocalizing them melodically. After T.I’s additionally rhythmic rap,the song strips itself down to the drum/percussion line before fading out on it’s main chorus.

Analyzing this song musically really gives me a chance to try at setting the record straight on another matter relating to this song. Itself a Grammy winner,one which he performed with Earth Wind & Fire at the ceremonies themselves,there was a bit of controversy over the perceived sexism of the lyrics and accompanying music video. Still the song represented a huge upsurge in instrumentally strong uptempo funk for the 2010’s in terms of pop success. But it was a law suit the next year by Marvin Gaye’s widow Janis Hunter and adopted son Marvin III that has dogged this song. The suit alleges that “Blurred Lines” plagiarized the sound of Marvin Gaye’s “Got To Give It Up” from 1977.

One of the things about music that’s continued on through Africa up through hip-hop is respect for the oral tradition. A musical idea begins with one person and is passed down from parents,to child,to friend and so on. It allows for music to progress through influence as well as individual innovation. As for “Blurred Lines”,the songs only resemblance to Marvin’s “Got To Give It Up” is the clinging percussion sound and use of electric piano. This song has quite a lot less melodic vocal content. What Thicke,Pharrell and T.I. do on vocal level here is focused more heavily on rhythm as well-rather than conventional pop song structure.

Of course as of today,Pharrell and Thicke lost the lawsuit. And it seems to be that a series of similar lawsuits such as the one by The Gap Band (regarding Mark Ronson and Bruno Mars’s “Uptown Funk”) last year seem to have created a conflict of interest in the 2010’s #1 funk revival. Most of the songs to emerge for the past year or so from funk oriented modern artists have gone more for an electro hip-hop sound or an alternative rock one. Something that can denote a non litigious  sense of musical originality. It may not be that concerning as these things can come and go in phases. But as it stands in funk’s strong place in the musically oral tradition,”Blurred Lines” is very significant modern funk.

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Filed under 2013, copyright, Fender Rhodes, law suits, Marvin Gaye, Nu Funk, percussion, Pharrell Willaims, Robin Thicke, T.I., Uncategorized

Andre’s Amazon Archive 3/28/2015-‘Blurred Lines’ by Robin Thicke

robin-thicke-blurred-lines-album-cover-1373911639

Within the past decade the musical career of Robin Thicke has progressed very nicely. When he first emerged with A Beautiful World,there really weren’t a great deal of popularly inclined musical artists who were taking an interest in 70’s funk and soul. That ethic was largely taken up by what were than relatively left of center retro and neo soulers One might look about Thicke in those terms. But he always had a strong operation in the popular idiom,with the intent on having hits. But also on his own terms. That served him quite well through some musically dismal times. And the fact that his music was always highly sexually charged gave some the impression he was shallow and one dimensional. Of course this last year the popular idiom of music is showing signs of going where people like Robin Thicke have been trying to lead it. And he is more than willing to lead the pack along for the ride.

The title song,video buzz aside is a stripped down naked funk revelation-steady percussion,dancing bass line and insistent electric piano pulses that put it somewhere between the influence of Prince’s “Kiss” and “Marvin Gaye’s “Got To Give It Up”. “Take It Easy On Me” and “Give It You You”,with Kendrick Lemar both start off sounding like shallow dance/hip-hop until at the bridge this heavy bass/guitar funk kicks in-revealing the songs true intent. “Ooo La La”,”Ain’t No Hat 4 That” and “Get In My Way” are all upbeat melodic dance/funk grooves directly from the Michael Jackson/Quincy Jones/Con Funk Shun/Earth Wind & Fire league-some of the best songs of Thicke’s career. “Feel Good” blends that sound with some modern electro pop synthesizer orchestration for a potent blend of old and new school funk. “Go Stupid For You” loops the synth pops from Message into a unique funk/dance/hip-hop hybrid. “4 The Rest Of My Life” revisits his signiture spare soulful ballad style and,after the empowering funky soul/rap of “Top Of The World” ends off the album with the doo wop of “The Good Life”.

Much has been made based on the video for this albums title track being highly sexualized. If you ask me? I don’t see what all the fuss is about. In fact it detracts from the fact that this is the most consistently funky album I’ve ever heard Robin Thicke make. He explores the late 70’s sophistifunk (the genre that got lumped in with disco originally),80’s naked grooves and difference hip-hop based hybrids of the music in a manner that is very true not only to his own vision but to the rhythm of the one. Not only that the album actually follows a firm conceptual course. He starts out “looking for a good girl”, dates many and finds out the type he thinks he’s looking for are shallow and self centered. In the end he realizes the importance of settling into a functional and adult romantic life. Its a great album for men to here especially because while their busy shaking their groove thing to the music, they may just learn a little something about themselves and how they could be if they aren’t already. A wonderfully realized rebirth for the funk from Robin Thicke.

Originally Posted July 31st,2013

Link to original review here*

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Filed under Disco, Earth Wind & Fire, Funk, Kendrick Lemar, Marvin Gaye, Neo Soul, Pharrell Willaims, Prince, Quincy Jones, Robin Thicke, Soul

Albums Matter: Andre’s List Of The Top Funky Full Length Albums Of From The Past Five Years

Prince At the grammys

The 57th annual Grammy Award ceremony’s this past Sunday seemed to have surprised everyone. Many performances had a far more serious, even evangelical tone with references to domestic violence and the revived understanding of racism bought on by the police violence of 2014. Maturity and growth were very heavily emphasized on every level-performance and presentation wise. It was Prince,who just released two albums at the end of the last year,who got everyone’s attention-with the words printed above spoken as he presented the Grammy for the best album of 2014.

Prince’s words are what moved me to pick this particular topic for this weeks blog. One very important musical factor shared with my blogging partner Rique is our appreciation and advocacy for the full length album as an important artistic format in terms of how the music we love and are socially moved by is presented. To have someone with as rich a musical history as Prince bring this up at a major award ceremony confirmed the 2010’s have been all about the revival of the album as a driving force in the funk/soul/jazz/R&B spectrum in particular. So here’s my list,year by year of the music on that particular playing field that’s deeply effected my listening.

2010

Erykah Badu Return Of The Ankh

Erykah Badu is always one to throw the unexpected into her grooves. Here her thick,burbling jams blend into songs that are not only a cohesive statement but when sampling is used? They are of things like Paul McCartney album tracks of AOR oriented fusion artists such as David Sancious or Roy Ayers’ Sylvia Striplin. A wondrously sexy celebration of the funk album.

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Janelle Monae here was a key figure in the focus of both my music related blogs with her multi-genre embrace of the Afro Futurist ethic. This album was and is a true game changer in that regard.

John Legend Wake Up!

With both artists always edging just on the border of funk with their own respective releases? The groove burst out completely and with a total fluidity for John Legend and his backing band The Roots-including drummer/producer ?ueslove, for this (so far) one time musical collaboration.

2011

Beyonce 4

Known more for being innovative in terms of single songs,Beyonce’s fourth solo album gained a complete full length flow with a much more mature sound. Including the very polished Quincy Jones/Westlake style production of “Love On Top”.

Lenny Kravitz

Lenny Kravitz always had loads of funk in him. Here and there. Took him a long time before he fully identified with that funkier instrumental groove. And did so on one of his most thorough musical statements to date.

2012

Chris Brown Fortune

With contemporary electronic pop/hip-hop/dance music usually having enough energy to stretch only across a few songs? Chris Brown,during a less than satisfactory period for him personally no less,managed to take the contemporary musical end of his genre and stretch it out successfully longer than I’ve heard most do such a thing in some time.

Antibalas

This explosively percussion Afro-Funk group recording for Daptone were so connected to the original Afrocentric  pulse that spawned the original funk process groups such as Santana,Mandrill and War that following this album they became the backing band for the Broadway musical Fela! A rebirth of full length poly-rhythm at it’s finest!

Kaleidoscope Dream

Psychedelic,meditative and non traditionally structured sophomore release from new comer Miguel.

Victor Wooten

Bassist Victor Wooten saw such depth in this material that he released it both as a vocal and instrumental piece. Very original musical presentation at this time.

Macy Gray Talking Book

Macy Gray bought out her inner Sly Stone for this literal celebration of the album-re-making every song in original order from Stevie Wonder’s 1972 breakthrough album Talking Book on it’s 40th anniversary.

Talented bassist/singer Esperanza Spalding brings out the sprawling mid 70’s jazz/funk vibe for what is probably her most defining album as of yet.

Radio Music Society

Electronica meets boogie funk from a very interesting source blending a hard grooving as well as an ethereal quality.

2013

Toro Y Moi

Potent mix of electronica and boogie/synth funk.

Jyoti

Very bold sound from Georgia Anne Muldrow that embraces dramatic jazz/funk with a boom rap approach to production.

Trombone Shorty

Crescent City native Trombone Shorty presents the instrumental style of horn funk as a genre of sorts all it’s own,with many different tributaries,on this one album.

Apocalypse

Flying Lotus bassist Thundercat brings a huge,cinematic approach to psychedelic jazz-funk.

20 20 Experience

The first of two Justin Timberlake comeback’s this year. Probably a huge re-awakening for the album length music format,complete with 7-8 minute jams,that bough extended soul/funk to the broader contemporary pop audience.

2014

Pharrell

Long time producer emerges as a fully complete solo artist-full of funkified rhythmic energy and shook the world up in a way no funky music has in over three decades with “Happy”.

Kelis-Food

Kelis returns with an album that takes a very JB like organic instrumental soul/funk turn.

Paula

Robin Thicke’s emotionally charged break up album is a full on raw, muscular funk/soul extravaganza

Plectrumelectrum

Prince and the female instrumental trio 3rdEyeGirl become part of the double edged album sword in his studio comeback. It showcases a multi hued psychedelic funk/rock sound where the whole is definitely more important than the sum of it’s parts.

Goapele-Strong-As-Glass

Oaklands own Goapele lends the funk of Pharrell Williams and flowing,piano based jazzy soul/pop on an album that celebrates the flow of musical depth,dignity and elegance.

Black Messiah

D’Angelo shakes the world up with an extremely funkified statement that is still,at the time of this writing,showing people that black lives (and black music) matter a great deal.

2015 (So Far)

Uptown Special

With the month of January often being a driftwood month for new music? Mark Ronson brings Bruno Mars,Mystikal and Stevie Wonder together for some serious,churning “uptown funk? of many colors!


There were honestly more albums than I could’ve seriously listed in this blog that also fit right into it. But these ones made the most important statements on their own terms perhaps. A single song will always say a great deal. But if one impulse or a series of musical/lyrical impulse can be expanded out in a way that expands the mind naturally through a powerfully grooving auditory experience? Than I saw so much the better. So let’s all have it for the musical impact of the album! It’s a key organ in the anatomy of the groove!

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Filed under Beyonce', D'Angelo, Erykah Badu, Esperanza Spalding, Goapele, Janelle Monae, John Legend, Justin Timerlake, Kelis, Lenny Kravitz, Macy Gray, Mark Ronson, Miguel, Pharrell Willaims, Prince, Robin Thicke, The Roots, Trombone Shorty

Rique & Andre Proudly Present 2014: A Year In Funkativity For Andresmusictalk!

Andresmusictalk Year In Review 2014

 

Have to totally agree with my blog partner here Rique and fellow WordPress blogger The International Review Of Music that 2014 has been a tremendous all around year for funky music. And funky is Rique and my favorite kind of music from my understanding. And this year we’ve had that become popular on a massive level thanks to starting the year out grooving with Pharrell William’s “Happy”. This was a global phenomenon-with people all across the world doing their dance to the song on YouTube. For the first time in history,a number one funk song connected billions of people in the internet age. And that alone is no small feat. And one Pharrell should be proud of  for his entire life.

If “Happy” was standing by itself this year? That would have been wonderful. But it did so much more. Kelis and even 90’s quiet storm soul singer Joe released tremendously funky music this year! And massively welcomed comebacks from Prince,Funkadelic,War,D’Angelo and posthumously from the late Michael Jackson were also enormously successful events. In fact D’Angelo’s Black Messiah ended off the year with a major surprise release in the wake of the tragic and highly topical police shooting of Michael Brown in Ferguson Missouri. That album may have had to wait until 2015 to see the light if that dark day hadn’t have shinned the light on the need to talk,sing and play about it.

Since funk was the key to providing not only great music but positive and enriching messages this year? I wanted to conduct our first interactive blog here on Andresmusictalk. There have been many wonderful releases this year in the funky spectrum of sound. Hoping all of you have been enjoying them. So presented below is a list of key funk,jazz and soul related albums from 2014.  Inviting all of you to select which ones interested you most! Wishing everyone a new dance and new vitality of life for the year to come and enjoy the polling everyone! Thank you!

 

Hear Some Of The Best Music In The Soulful Spectrum Of 2014

2014 Remembered: A Year Of Funk-Written By The International Music Review

HAPPY FUNKING NEW YEAR TO ALL!!!!!

 

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Filed under 2014, Chromeo, D'Angelo, Disco, Funk, Funkadelic, Fusion, Harvey Mason, Jazz-Funk, Joe, Kelis, Late 70's Funk, Lenny Kravitz, Lisa Stansfield, Michael Jackson, Pharrell Willaims, Prince, Robin Thicke, Sharon Jones & The Dap Kings

Anatomy of THE Groove 7/4/2014: Robin Thicke’s “Whatever I Want”

These days it seems as if just about every celebrity couple is plastering the breakups of their personal relationships all over cyberspace and whatever TV tabloid show will take it. On the other hand,in the hands of a soul/funk artist with a strong degree of wordly eloquence? This dichotomy can transform itself into a level of lyricism that can be far more flexible than singing about mere romantic turmoil. Otis Redding’s “Respect”,especially in the hands of Aretha Franklin,is probably the best known example of this. Earlier this year? Robin Thicke,on the heals of the enormously successful collaboration with Pharrell Williams on the musically controversial “Blurred Lines”,abruptly separated from his wife of nearly a decade Paula Patton. Somewhat out of nowhere as far as I was concerned? Thicke dropped a new album this past week which,interestingly enough is called Paula. Many of its songs were highly invigorating uptempo funk of many grooving shades. However one particular song stuck out in my mind called “Whatever I Want”.

The song begins with a group vocal fanfare somewhat similar to the intro to Stevie Wonder’s “Did I Hear You Say You Love Me” before launching into an uptempo groove that chugs along like a runaway freight train. Helping it along is a very thick Afro-Latin percussive groove that just keeps on going with the basic rhythm. Meanwhile a bassy electric piano is playing a soulful,bluesy melody whose descending chord changes of the school of Cream’s “Sunshine Of Your Love”. A female vocal choir comes on declaring “I can do whatever I want”-with Thicke’s call and response vocals of the same,often adding the phrase “freedom” as well. He also declares that “Now that the pain and regret have moved along/ Now that you finally have some piece of mind/Who knows what buried treasure you might find”. After the female choir chants “kiss me” repeatly on the next chorus? An instrumental break comes in after which the song fades out with the same electric piano sound from the intro.

Considering the controversy of last years “Blurred Lines” focused on plagiarism regarding Marvin Gaye’s “Got To Give It Up”? It’s somewhat ironic that Robin’s entire new album concept for Paula is conceptually inspired by Gaye’s confessional Here,My Dear. The difference is this album and this song of Thicke’s doesn’t take the “dear diary” approach of naming names and events on the same level Gaye had. There is however a division here. The groove on this song includes the important funk process element of the Afrocentric percussion. Yet melodically this song is deeply based in the straight up blues as well. Being those two are vital building blocks of funk? They both express the divided feelings Thicke is expression. The percussive polyrhythms have always represented freedom-a celebration of life. While the blues has tended to be the more realist story teller,and the dreamer as well. Robin Thicke is alternately celebrating he and Paula’s freedom while questioning it on this song. Exciting,singable,funky and emotionally complex in the classic bluesy soul/funk tradition is a good way to describe what this groove serves up to the listener!

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Filed under Blues, Funk, Marvin Gaye, Pharrell Willaims, Robin Thicke, Soul, Stevie Wonder