Norman Connors music of the 70’s and early 80’s is something I personally cannot find much to any fault with, in the musicianship and compositional strength. Now he did establish something of a formula. That is basically emphasizing urban/adult contemporary fusion peppered with his free and Brazilian jazz influences. Basically his albums always contained a good handful of very slow ballads during this period. By 1981,it would seem Connors’ run of album releases was showing signs of drawing to a close.
The funk and disco eras were also both going in the same direction. So what did Norman Connors do? He changed up his groove. “She’s Gone” begins the album on a processed Rhodes piano led groove that’s thick on the boogie funk rhythm with horns and heavy percussion. “Party Town” throws on the bass and lead synthesizer in phat,grooving layers on a jam that gets down deep into electro funk territory. “Keep Doin’ It” has a rhythmically sleek post disco vibe while “Stay With Me” had a thick Caribbean style dance/funk percussive groove.
“Anyway You Want” and “Love’s In Your Corner” keep that percussive funk percolating right along while “Sing A Love Song” has a sexy mid-tempo jazz/funk vibe and an elaborate melody. It’s the closest thing to a ballad here. The album ends with the instrumental title song-combining Connors’ jazzy arrangements into the post disco/boogie framework. From beginning to end,this album is completely different then any other Norman Connors album I’ve ever heard. It actually doesn’t contain any slow ballads whatsoever.
The uptempo songs it contains are heavy on the contemporary funk style of the time. All the same,Connors talents as an arranger are all over this session musician heavy release. Most of his previous albums had contained funk oriented numbers. Yet the fact that this 1981 album prioritized it to such a degree showed how thoroughly musical a thinker Connors was. Uptempo funky music was not exactly publicly embraced during this era. Just perhaps, Norman Connors realized that his musical acumen had the power to not only change for his own sake but give the funky soul lovers just what they wanted