Brandy Rayna Norwood has had a fascinating career behind her. Following very much on the path of Whitney Houston’s transitions from audio to visual media, she was actually quite a bit more successful as a singer/songwriter/producer and TV star on her late 90’s sitcom Moesha than she was on the silver screen. Personally I always had a creative appreciation for Brandy. With her fluid physical features and polished braids,she proudly and elegantly exhibited a strong Afrocentrism that maintained a street level identification with American hip-hop. As she grew from a teenager into a young adult,her music continually evolved along the same lines as her outward persona.
Today Brandy is a 37 year old with a 13 year old daughter Sy’rai Iman and is engaged to be married again. In addition to having a six album strong discography. In the early 2000’s, she teamed up with then up and coming producer Rodney “Darkchild” Jerkins. Jerkins himself has a gospel back-round and had been mentored by new jack swing pioneer Teddy Riley. As electronic instrumental programming moved on from it’s brittle beginnings,by the early aughts it developed more of a flow in terms of sound. This was excellent for both instrumentally oriented producers like Jerkins and nuanced vocalists such as Brandy. The title song of her 2002 album “Full Moon” is a superb example.
A high pitched mid 80’s new wave style synthesizer opens up the album playing an introductory melody and continues as throughout the song. The refrain of the song maintains a funky,slower crawling 1/2 beat dance tempo. This is accompanied by a crackling bass synthesizer and a bleeping,percussive synthesizer. On the swiftly sung choruses,on which Brandy duets with multiple harmonies of herself,all these electronic solos come together. On the bridge,Brandy’s vocal harmonies beautifully layer over each other while a synthesized duck face bass pops along with her. This is just before the main chorus repeats on into the fade out.
“Full Moon” showcases a magically romantic new groove-with Jerkins skillfully blending a strong post millennial electro funk rhythmic framework with European classical compositional content. Instrumentally the song blends both the more brittle new wave and new jack electronic approach with the beautifully fluidity that modern synthesizer’s were beginning to create. Vocally many early ladies of neo soul such as Alicia Keys and India.Arie were deeply influenced by Brandy’s funky sea of vocals-a technique coming through both Chaka Khan and Janet Jackson. Still it was this song’s embrace of glossy production and strong,funky rhythms that make it perhaps my favorite Brandy number.