Category Archives: Freddie Gray

Andresmusictalk Takes A Stand

Stop Killing Black People

Today I’d planned to bring you perhaps another Anatomy of THE Groove segment,or another list based article about jazz,funk and soul music. Every human being has a heart somewhere though. I’m no exception to that,and my heart is broken. Within the last three days,two innocent black American men in Alton Sterling and Philando Castile were murdered by the police. Yesterday,a Black Lives Matter protest in Dallas,Texas erupted into violence against the police.  The situation has gotten to such a critical state, it seems like right time to set the record straight as to what Andresmusictalk stands for.

Over the past couple of years,grooves with a message have been over-viewed here. Especially in times of crisis such as outbreaks of violence. And in my home state of Maine the election of Mister Paul LePage to the position of state governor. As much as it might be inappropriate to bring personal views and feelings to this blog,the national situation has gone beyond too far. Day after day,social networks such as Facebook are filled with racist rhetoric-from posted memes to comments. And in many states,including my own,open carry gun laws have turned private citizens into potential vigilantes.

I am personally many things. Black,Latino and openly gay are among them. Yet everyday American’s who are any or all of these things are being made to feel as if they’ve done something terribly wrong. For example,when people such as Treyvon Martin,Michael Brown,Freddie Gray,Tamir Rise and now Alton Sterling and Philando Castile are murdered by police,it is quickly dismissed as a misunderstanding-with the murdered party painted as a “potential criminal element”.  When police are murdered such as in Dallas,most of the nation stand behind them without question.

These contradictory actions have officially proven to me that America today has become nearly totally based on the racial privilege of white people in particular. Through the articles done here,I’ve tried to imply that empathy,not xenophobia,is the solution to a lot of these peoples. So many other people do that in their own way,too. Sadly,few seem to even be listening. So wanted to clarify these matters: this blog is against prejudice  and racism. It’s against the murder of the innocent based on skin color and other non criminal matters. And most importantly it’s against homophobia,ableism and white privilege.

What it does stand for wholeheartedly is music. Music to get people in the mind of doing the dance we call life. And often music with a direct message. Here are some songs to listen to that musically describe today’s situation very well. No over-view from me today. Just listen and dance to the funky and soulful people music.

Don’t Call Me Nigger,Whitey/Sly & The Family Stone

Ball Of Confusion/The Tempations

If There’s A Hell Below,We’re All Going To Go/Curtis Mayfield

Am I Black Enough For You/Billy Paul

Winter In America/Gil Scott-Heron

Black Man/Stevie Wonder

System Of Survival/Earth Wind & Fire

Ghetto Woman/Janelle Monae

Baltimore/Prince

*”Peace is more than the absence of war”-Prince (1958-2016) paraphrasing a quotation from Albert Einstein (1879-1955)

 

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Filed under 2016, Alton Sterling, Dallas, Freddie Gray, gun violence, message songs, Michael Brown, Philando Castile, police brutality, political songs, racism, racist murder, Tamir Rice, Treyvon Martin, Uncategorized, white privilege

Andre’s Amazon Archive: “HitnRun Phase Two” by Prince & The New Power Generation

Prince hitrun phase2

What a wonderful Prince album for lovers of the funk! And on a strictly personal note, a vast improvement on it’s predecessor. As good a move it was for Prince to have hired young producer Joshua Welton for HITNRUN Phase One,I had the concern that album would stand alongside many of the artists mid/late 90’s releases in terms of not aging well. Attempts made by Prince to incorporate current production trends generally resulted in showcasing what an unhealthy state soul/R&B music was at these given times. He and the NPG were (and in the case of the band still are) hardcore funk musicians. So on Prince’s swansong,he and the band basically worked it back to the rhythm of the one.

“Baltimore” is beautifully melodic soul rocker paying tribute to young Freddie Gray due to police brutality,as well as offering some some sage advice for modern civil rights activism. “Rocknroll Loveaffair” is a bass pumping,danceable country rocker with a sleek bluesy attitude while “2 Y.3.D” a James Brown style horn heavy pop funk jam. “Look At Me,Look At U” is a rolling,mid tempo jazz/funk groove full of slap bass,Fender Rhodes and flute while “Stare” takes that bass,drums,guitar,horns and turns up the funk heavy. “Xtraloveable” turns up the bass synth and the strong pop melody for a thick boogie funk stomp where “Groovy Potential” is another slinky mid tempo jazz/funk ballad with some sexy guitar.

“When She Comes” brings out that classic 60’s southern soul ballad with that slow scaling guitar while “Screwdriver” brings in a rhythmic riffing of a driving pop/rocker. “Black Muse” is a nice,chunky down home funky soul tune-one full of hit horns and chugging rhythm that deals with how important black American music is to the history of the artistic medium itself. “Revelation” is a gentle,spare ballad that again features a strong electric piano presence along with Prince’s ethereal falsetto vocal mix. The album concludes with “Big City”. It begins with that P-funk style chromatic walk-down before getting into some wah wah heavy melodic funk.

More than anything,what this album does is showcase just how much Prince’s musical evolution came out of funk-despite the modern perception that his rockier hits represented the baseline of his entire creative ethic. On that note,even the guitar rockers here return to the happily melodic,hook filled nature of his 80’s era music of this genre-as opposed to the aloof weariness of some of Prince’s recent rock oriented music Primarily though,this album emphasis Prince as a straight up band leader-getting funkiest drums,horns and jazzy keyboards out of the NPG. Prince’s sudden and young death is still a tragedy. But especially for the funk lover,this album is one bang of a way to go out!

Originally written on April 29th,2016

*LINK TO ORIGINAL AMAZON.COM REVIEW HERE. PLEASE GO TO THE REVIEW,TELL ME IF IT WAS HELPFUL TO YOU AND COMMENT BOTH HERE AND ON THAT SITE. THANK YOU!

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Filed under 2016, Amazon.com, Baltimore, drums, Fender Rhodes, Freddie Gray, Funk, horns, jazz funk, Music Reviewing, new music, New Powe Generation, P-Funk, Prince, rhythm guitar, rock 'n' roll, rock guitar, slap bass, Uncategorized

Anatomy Of THE Groove Special Presentation for 5/10/2015: “Baltimore” by Prince

Having the police related murders of Michael Brown (in Ferguson,Missouri)and most recently Freddie Gray (in Baltimore) on the public consciousness so much of late? One of the major conversations among musically minded individuals was the almost complete lack of attention paid to the issue by contemporary you musicians. Especially black American musicians such as economic powerhouses Beyonce,Nikki Minaj,Jay Z and Alicia Keys. So were civil rights related protest songs truly a dead art form in the United States?

Apparently they were not. And as it turned out? It was going to come from a source that not everyone (including myself) would’ve expected it to. Throughout his career? Prince has shown himself,at best,to be extremely fickle and unpredictable in terms of what sort of sociopolitical benefits he chooses to become musically involved in. Considering his two decade personal mission of asserting a creative end of black power on his own terms? This purple icon recorded a new song. And as typical performed the instrumental parts by himself. Later bringing in young Chicago vocalist Eryn Allen Kane to sing on this new number he called simply “Baltimore”.

Beginning with Eryn’s gospel drenched vocal cry of the title, a drum roll opens the main core of the song. This is a very basic melodic setup on that level. It’s an acoustic guitar harmony with a smooth blues lead guitar riff. On the refrain, Prince is playing a pumping bass over a steady 4/4 pop/rock beat with more rock guitar accents. This pattern repeats itself in two or three variations and building in intensity as the lyrics do. On the bridge? There’s a thick drum/percussion rhythm over which Prince declares “if there ain’t no justice, then there ain’t no peace”.

Prince comes back with another powerful bluesy lead guitar before Eryn comes in with another powerful lead. The song ends first with a repeat of the bridge-this time with 80’s Minneapolis orchestral synthesizer before ending on a gentler  version of the chorus. The two beat drum pattern is accompanied by a synthesizer and Prince’s own falsetto vocal harmonies. This leads off the song, which concludes with what sounds like a news report “interrupting your regularly scheduled program about a developing situation in Los Angeles”.

Upon my first listen to the song? It actually didn’t come off as all that moving musically. Personally? It seems a bit more instrumentally fitting to use funk as a medium for a message song. That musical genre’s strong emphasis on rhythm makes it ideal accompaniment for a song about a real life event which needs to be dealt with positively. Prince actually decided to make a very bright and acoustically tinged pop/rock number here. The sometimes elaborate and percussive drum patterns really showcases the rhythmic mastery Prince has been able to transfer from drum machines to live drums over the decades.

Taken on it’s own terms? This is one of the more upbeat rock songs Prince has made in years. From an instrumental and compositional perspective. Lyrically there’s another kind of feeling eluded to. The man is looking at the present situation from a rather broad and historical perspective. He showcases how a day and place can make all the difference in terms of perceiving racially motivated human tragedy. He even paraphrases Albert Einstein by stating “peace is more than the absence of war”. That after asking for prayer for the murders of Michael Brown and Freddie Gray. So the song asks for heartfelt acts of kindness and social responsibility in a time where silent shock creates too much human inaction.

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Filed under 2015, Baltimore, bass guitar, Eryn Allen Kane, Ferguson, Freddie Gray, guitar, message music, Michael Brown, percussion, pop, Prince, protest songs, rock 'n' roll