Jackie Jackson,being the eldest of the Jackson’s siblings whose turning 65 today,brings to mind an important element in the Jackson family musical dynamic. With the enormous commercial success of the late Michael Jackson,it often seems that the different musical talents of the other family members are torn down in order to build up MJ’s cult of personality. Michael Jackson was a very talented performer,and one of the most rhythmic and distinctive vocalists of his era. Yet with such a musical family,his talent was made stronger (not weaker) by the unity he had with his brothers.
Born Sigmund Esco,Jackie was part of the main vocal trade-off’s between young Michael and Jermaine during the salad days of the Jackson 5. At that time he often sang high,reedy falsetto parts. When four of the brothers,including him,teamed with youngest brother Randy at Epic,the lead vocals Jackie provided to the group found him singing in his gruff,gravelly low tenor. Between the summer of 1979 and 1980,the by that time re-christened Jackson’s began work on their sixths album Triumph. Dominated vocally by Michael,the final song was a major triumph for Jackie in “Wondering Who”.
Ollie Brown’s hi hat drum kick off starts the song off along with Michael Boddicker’s melodic Vocorder line. It then kicks off into a percussive,uptempo Latin-funk rhythm with Boddicker’s brittle synthesizers and Vocorder providing equally rhythmic accompaniment. Nathan Watts’ 2 on three note bass thump and Tito Jackson’s low,fast past chicken scratch guitar lines lead into the 4/4 dance beat of the chorus-with the synthesizer’s becoming more orchestral. Tito’s bluesy guitar riff’s buffet each choral/refrain pattern. Michael and Jackie duet on the final chorus before Boddicker’s jazzy Vocorder scat fade out the song.
The first time I heard this song,it sounded as if the Jackson’s were ending their first album of the 1980’s with a nod to the future of funk. Indeed, they were. Composed wonderfully by Jackie and Randy Jackson,this song has a strong bluesy melody. Instrumentally it is extremely compelling. It’s a full on boogie/electro funk groove. And one where the synthesizers and Vocorder play the same role as the live percussion. The frenetic power of the songs music,combined with Jackie’s matured versatility as a singer,make this one of the best examples of futurist funk that ever came out of the Jackson’s camp in it’s day.