Ray Parker Jr.’s career in his native Detroit began while playing with Hamilton Bohannon’s band at the city’s iconic nightspot 20 Grand. This got the teen’s guitar wiz the attention of the Motown crew-for whom he began playing and writing in earnest for the likes of Marvin Gaye and even outside the label for Honey Cone’s hit “Want Ads”. This led to the man become a mid 70’s session ace for everyone from Stevie Wonder,Aretha Franklin,Rufus and Herbie Hancock-playing and writing songs for each one of them. Not to even mention being a sideman in Barry White’s Love Unlimited Orchestra.
In 1977,Parker had amassed more than enough experience as a session player/composer to become a bandleader. This lead to him forming Raydio. It was himself playing many of the instruments alongside vocalists Arnell Carmichael,Jerry Knight and Vincent Bonham. After their self titled debut and hit “Jack And Jill” the next year,Raydio was Parker ,Carmichael and an array of additional session players such as Ollie Brown and former Motown Funk Brother Jack Ashford. This led to the release of their second album in 1979’s Rock On, with one of my favorite tracks on it being “When You’re In Need Of Love”.
The song begins with a heavy thump on the bass ans snare drum-punctuated by Parker’s phat synth bass. This brings in a thick,quaking Bootsy Collins’ style “duck face bass” that is present the entire song. After several verses of this,percussive hand claps enter into the mix that eventually brings in some brittle,higher pitched synth brass charts from Parker. As the chorus starts in,Parker brings in two lead guitar lines. One is a dramatic,low thunder and the other is a more bluesy down scale. After two rounds of the refrain and chorus,the intro that opened the song basically repeats to the songs fade out.
Raydio’s second album is very heavy on funk. Originally picked it up on vinyl only on the basis that I knew the name of the band and Ray Parker Jr. The name Raydio actually came from a written documentary I had on a good point of reference for Parker’s musical approach: Prince. Ray Parker Jr. was right there in the late 70’s with the Purple One really helping to innovate with the idea of synthesizer’s playing traditional horn charts. As with most of Raydio’s funk,this groove stays on the one with the rhythmic influence of the Isley Brothers and P-Funk’s heavy still and electronics running on full throttle!