#princeday LIVES: “The Dance Electric” (1984)

Prince’s expanded edition of  his breakthrough album Purple Rain is said to have been the last full musical project he ever worked on. My former blogging partner Zach Hoskins went into beautiful detail on the early reported contents of the album. There is one aspect to this 1984 album I brought out before though. The original albums contents,even according to some members of the Revolution,was a new wave dance/rock album with very little funk or soul influence. With the inclusion of vault material recorded during these sessions, the expanded addition of Purple Rain has changed that.

In August 1984, Prince recorded an 11+ piece just two days before “The Screams Of Passion”,which would eventually be given to The Family.  Its been said Prince gifted the song to Andre’ Cymone after his mother asked him if Andre’ could record it-Andre’ apparently being “too proud” to do so. Andre’ then recorded his vocals for the song and released it on his AC album in 1985. It became a major success for Andre’. For years, Prince enthusiasts I’ve talked to have been hoping to hear Prince’s original version of the song. And now they can. The name of this song,of course is “The Dance Electric”.

A thick set of combined Linn Drum rhythms-filled with Minneapolis style flanger,shuffle and echoed claps begins the song cold. No decisive intro. And it stays there for the entirety of the song. Each clap is accompanied by a round synth bass tone. On the first chorus, high pitched and brittle synth strings are accompanied by a wiry wah wah guitar and laser beam like space synths moving between each segment. Every few choruses, the song strips back down to the the drum and synth bass intro. On the bridge,the laser synths and rhythm guitar take precedence before the extended chorus fades it all out.

There’s a distinct possibility that “The Dance Electric” is the most powerful piece of funk to emerge out of the sessions for the Purple Rain. I have no doubt Prince had every intention of releasing his version,even as a B-side,if his childhood friend hadn’t asked for it. The song is reminiscent of Alexander O’Neal’s 1987 number “Fake”. The overall rhythm of the groove is a punishing kind of funk. Its an end of the Minneapolis sound that finds the one right off. And lets that take the song exactly where it wants it to go. Its a great funky delight to hear Prince’s version of this officially available now.

 

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